Q: Given your ability to land quads how do you feel about being thought of as a technical skater?
A: That’s why I go to various choreographers. In my competitive career until now I haven’t been able to firmly demonstrate my artistic side, and I want them to help me to bring that out even more. As for the quads, I want to polish my technical side to the point that the jumps are stable so that during competition I won’t be robbed of energy, either mentally or physically. I think it’ll help when I can grasp the programs as an overall picture.
Q: The music for your free program is from “Mao’s Last Dancer,” a film about a ballet dancer who defected from China and flourished in the West. Do you sympathize with the protagonist?
A: I was born in America and never had to leave in order to skate. At the beginning when Lori told me about the story I was afraid that without a similar type of experience I wouldn’t be able to imagine a life story such as that. But after speaking to my parents, and learning how they immigrated to America and raised my brothers and sisters, I knew it was a story they could completely understand and sympathize with: their hardships, how much effort it took to build a foundation in America. By speaking to my parents I was able to gain a deeper understanding of those things. This season I want to express that in my skating. After reading the book and watching the movie I was able to relate to him on a human level, and I came away wondering at the great things people can accomplish because of their passion. I believe that’s a theme anyone can relate to, and I want to further that realization and show it in my skating.
Q: The music for your SP, “Nemesis” is very modern.
A: It's the best song with a good beat from the start. The piano sounds inserted in the melodic tune just make you feel like jumping into the music. Moreso than the lyrics, I feel comfortable in performing with the passion coming from the sounds themselves. Towards the middle when the melody changes I can also relax a bit, then at the end there’s like a hip-hop, contemporary feel where I can skate energetically. The more I work with Shae the more I think I’ll be able to present.
Q: Hypothetically speaking, if you were granted 15 seconds more to your free program how would you use it?
A: 15 seconds is awfully short, so realistically I might want to put in a short break. Maybe you can add some choreography to better develop your character in the performance. You want a chance to catch your breath in between the jumps.