Sota Yamamoto | Page 51 | Golden Skate

Sota Yamamoto

Thanks rRainbow, interesting that it seems that Sota going back to Onishi seemed more like because of the circumstances rather than he actively sought out Onishi. It's nice that Onishi offered to help, but one can't help but wonder how things would be if it had worked out with Hayashi...
 
Last part of the translation of an excerpt from an interview by QA 2020 shared on this blog :

--When you were little, you used to make a hideout and had fun with it.
S: Ahaha [laughter]. At that time, after the practice was over, I brought in cardboard boxes and desks with other boys to build a secret base and we all played with it.
O: Uh-huh [laughter].
S: We got scolded a lot by both sensei and the office staff [laughs]. (omitted)
--(To Onishi) You mentioned earlier that you want to observe Yamamoto senshu closely, but what are you mainly looking at?
O: First of all, it's about physical fitness. He’s steadily building stamina, but I don't think he is in a state where he can put a sufficient load on his body yet. Well, he has enough physical strength as a skater, but I want him to push hard and train for maximum body strength so that he can withstand the practice. If you suddenly increase the load, you may get injured, so I am currently helping him build up his basic physical strength.
S: I often feel a lack of physical strength. Sensei says, "Run for 20 minutes before practice, then do sit-ups, back extensions, and push-ups before getting on the ice." When I go through two 1-hour practice sessions in a row after the workout, I cannot keep up at all [laughter]. That’s when I know I still have lots to do.
O: Ahaha [laughter].
S: Still, I think if I stick to that menu, small things will add up to make a big difference in competition. So I have to keep trying.
O: However, I think it will take some time. Even if he works on various things in a hurry, he won’t be able to produce good results immediately. So I'm planning to take the careful and steady approach. You are slowly but surely progressing to a higher level, aren’t you?
S: Yes [laughter]
O: Of course, I also have challenges. I coached him when he was little, but then I have to figure out the best way to make up for the eight-year blank period, so I also need some time.
--Looking back (on Yamamoto senshu) at that time, what are your thoughts?
O: (Omitted) I’ve noticed since he was little that he was a kid who has a great athleticism. Also, Sota wasn't particular about things in a good way, and when I said to him, "Do this," he was the type who would continue to do it forever. Instead of thinking "Why should I do it?" or "How long should I do it?" he would do what he was told to do, so I thought "This kid will be good at skating." I guess he loved figure skating from that time. He was always smiling when he skated.
S: Ahaha [laughter].
O: He was a kid who was skating with a smile on his face even when he was going through hard training. He likes skating that much, so I think he'll be a better skater if his physical and mental strengths improve. I'm really looking forward to it.
--How did you feel about Yamamoto senshu after he left Onishi sensei?
O: (omitted) When I heard from someone that he was seriously injured, I wanted him to recover fully no matter how long it might take. I am so glad that he is back to normal. When I saw Sota advancing to Western Sectionals and to the Nationals, I felt deeply moved. I was happy to know that he was back. (Omitted)
S: (Omitted) Hearing this has made me feel that I must do my best for sensei as well.
O: (Omitted)
--What are your future goals for Onishi sensei and Yamamoto senshu?
O: I’ll go with him wherever he wants to go. If he says "Olympics", I'll do my best to guide him there.
S: O: (Omitted)
--At the Chubu Regionals in September, you both went to the competition for the first time in a while.
S: (Omitted) During the warm-up and after the 6-minute warmup, he stayed with me all the time and instructed me to "do this kind of stretching" and "do this jump." I think it helped ease my tension and I was able to perform in the right frame of mind.
O: (Omitted) He had a fine look on his face showing his clear mind without hesitation. I was watching him thinking, "He has become quite manly."
--In the interview after the performance, you told us that you did not remember what sensei had told you, but what did sensei say when you sent him off?
O: Ahaha [laughter]. That kind of tension is also necessary. I said "Do as usual" or "Do as you practiced," didn’t I?
S: I used to psych myself up by saying to myself, "Okay, here I go!" before I started performing, but Onishi sensei said, "Relax" and "Take it easy," and I was able to perform in a good mental state at the Chubu Regionals.
--Lastly, Mr. Onishi, please give a word to Yamamoto senshu.
O: (Omitted) I want you to feel that this is your home rink. You are definitely moving up, so let's do our best together with confidence!
S: Yes! (Omitted)

-- The end
 
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Thanks a lot Rainbow, I enjoyed the read!
Sota enjoying playing military bases as a kid, somehow does not surprise me at all :laugh: He has that warrior look about him, too ... usually. ^ ^
I also think he was lacking in stamina when he was at Kokutai. He was visibly exhausted. I hope he has enough ice time now.

Well well well... what do I see today when I check Shenlong's Chukyo blog, but this page from the upcoming Quadruple: https://ameblo.jp/ching-shenlong/image-12662020921-14909424475.html Mitsuki's coach line is filled in (and I think it's says Honda, but its blurry), while Sota's coach line is missing :devil: She thinks he's changing his base, and so do I. It looks like Shenlong would like Sota back in Nagoya, but if I were to guess, I'd say he is waiting for Hayashi to be back in Nishinomiya... but let's wait and see. Finally there's at least a partial confirmation!
 
Oh my, oh my, what's this!? Sota has been super active on IG these past couple of days, with SEVEN new posts! 😭 :drama:

These are all nice memories, and it's also amazing to look back and realise how much he's grown in the past couple of years!
 
I know, right? I was speechless when I saw these. I couldn't believe my eyes :laugh:
I don't know what made Sota finally break his social media silence (it could be a part of a strategy to boost his self-esteem, which I fullheartedly approve of), but I'm grateful. Finally some signs of life from this quiet boy ^ ^ Judging from the reactions, the fans worldwide were over the moon ^ ^ May it give Sota further confidence...
I showed my mom the photos of Sota and Camerlengo, and she immediately noted he resembled Yuzuru a lot in the second one, all happy and smiley. :biggrin: Got to say she's right!
I don't know what's more interesting now: wondering what he may post next, or what his new training base will be (and his coach :popcorn: ... Hayashi? Higuchi&Yamada? surely not Hamada? Howa team would be ❤️ but knowing Sota, he wants top boys around, and Ryuju's leaving, and possibly Tatsuya too...).
 
Sota will be in Stars On Ice Yokohama! :clap: It takes place in April, 22nd through 25th. I'm very happy. Let's hope he has fun and forgets about his disappointments from the ending season. Onward and forward! It's an honor too - I mean, there's Shoma, Mai, Rika K, Kaori, Shun and other successful skaters. So it looks like the Fed still sees potential in Sota, despite his recent struggles. Yay ^ ^
 
Thanks, surimi, for the info about the upcoming ice show. Some more detailed into on Stars on Ice Japan Tours 2021:
Date: Apr. 22 - 25
Place: Yokohama Arena
Tickets: https://figureskate-soi.com/ticket.html
Skaters: https://figureskate-soi.com/skaters.html
Shoma, Yuma, Shun, Sota, Wakaba, Rika K, Kaori, Mai, & ice dancers Misato-Takeru

It appears that Sota was invited because he won the 2019 Challenge Cup. More skaters may be added.
 
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Quadruple Axel 2021 (3/13/21) features an interview with Sota & Mitsuki which was done in January, 2021. The magazine is sold by Amazon USA (Kindle), Amazon Japan, etc.
Translation of an excerpt from the interview:

Childhood Friends and Rivals
Sota Yamamoto and Mitsuki Sumoto met for the first time when they were still kindergarteners. They met at Rinkai Sports Center in Osaka. The ice rink was their play area and they have inspired each other and grown up to be top skaters. Even after they started training at different rinks, they have maintained trust in their relationship. Being childhood friends and rivals as well, they talk to each other in this special interview.

--I understand currently Yamamoto senshu is in the 3rd year and Sumoto senshu is in the 2nd year of college, and there is a one-year age gap. You two have been good friends since you were little. How old were you when you first met?
M: I was in the intermediate and Sota was in the older class.
S: Yeah, we were in kindergarten.
M: It was at a Rinkai (Spots Center) skating class. I've known Sota since then.
S: I guess Mitsuki took the lesson ahead of me?
M: Yes, it was about a month before you did.
S: When I joined the class, I didn't have any friends yet. We all got chummy with each other after joining the club (Rinkai FSC), so that was when I was in the 2nd grade of elementary school and Mitsuki was in 1st grade.
M: Yeah.
S: Maybe (Tomono) Kazuki was in 3rd grade. I think since around that time we all have become closer together.
--Do you remember the first impression of each other at the first encounter in the skating class before joining the club?
S: My earliest memory of Mitsuki is that he was coddled by his mom. As soon as he fell and his gloves got wet, he dashed to his mom to replace them [laughter].
M: Ahahaha [laughter].
S: For some reason, I really remember the scene. The moment his gloves got a little wet, he got a replacement.
M: I used to bring in 5 to 6 pairs of gloves every day [laughter]. I remember Sota when I was in the classroom. I hardly ever talked to him at that time though.
S: That’s true.
M: Even though he started skating after me, Sota was practicing the single axel with beginner’s boots, and I had absolutely no clue what the heck was happening.
S: Ahahaha [laughter].
M: My first impression of him was "What’s all this? What’s with this guy?” [laughter]
S: That’s hilarious! [laughter]
M: When I started talking to Sota, he said “Let’s practice together,” and he tried the single axel as well. So I thought “He’s nuts, isn’t he?” [laughter] Sota was too impactful [laughter].

- to be cont'd
 
Thanks a lot, Rainbow! What an enjoyable read. I imagine little Sota teasing Mitsuki about being 'pampered' - might that have been the source for their epic brawl at the training camp back then? :laugh:
Anyhow, this is interesting. Tell me more, tell me more... :popcorn:🎶
Sota is continuing to be such a good boy, posting updates in his IG :love: - it seems there's US Classic now? (actually there are two entries, but I don't know how to view them without an account =_= )
 
Part 2:

--I feel that you two are two of a kind and give off similar vibes. Did you warm up to each other quickly?
M: It took no time, didn’t it?
S: Come to think of it, we have similar personalities and we hit it off right away. I remember we spent time together all the time and we had fun.
M: We sometimes fought as well.
S: We were often in a fight [laughter]. I remember we wrestled on ice [laughter].
M: We pulled each other’s hair [laughter].
S: But we made up right away.
M: After that we played Beyblade (t/n: spinning top toys originally developed by Takara in Japan).
S: We were hooked on it. We brought in dozens of them to the rink.
M: We modified some [laughter]
S: Yeah, yeah [laughter].
--I see you two spent time together all the time on and off ice back then.
M: Yes, that sounds correct.
S: I spent the most time with Mitsuki, and we were on the same wavelength. Besides we always agreed on what we wanted to play.
M: We scheduled out time to finish practice at the same time, didn’t we?
S: On Saturday we finished practice by around 2pm, and we were playing till around 5pm.
M: (Tomono) Kazuki had to practice till around 5pm.
S: Hiraike (Taijin) sensei was very strict. Kazuki listened to sensei carefully and practiced diligently.
M: Yeah.
S: We put play ahead of everything else though [laughter].
M: We said, “What do you wanna play today?” even before practice started.
S: We only talked about play.
M: We never talked about skating.
S: We sometimes got into a restricted area and played hide and seek. Since it was a no-entry zone, we were never caught [laughter].
M: Oh yeah! We attached a wooden plank to a tree so that we could sit on it, didn't we?”
S: Yeah, yeah!
--Will you elaborate on that?
M: On Rinkai ground, there was a big tree with a hollow trunk where we could crawl inside. We found a plank somewhere and placed it inside the hollow trunk, and we were hiding out there.
S: That’s exactly like a secret base. We sat down and chatted.
M: There were times we left “it” alone in the middle of hide and seek and started playing a different game [laughter].
S: We even played baseball inside the arena.
M: Yep, we did. We got scolded quite a lot [laughter].
S: When the weather was fine we played it outdoors but when it rained we played inside. We use a soft ball and a plastic bat. We were trying not to hit the ball hard though [laughter].

- to be cont'd
 
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Part 3:

--I see the ice rink was your play area as well. What you two have in common is beautiful skating. What are the secrets of skating that you have built up since childhood?
M: I also want to hear how Sota became so good at gliding so smoothly.
S: I guess when I skate I keep in mind, "Make one glide longer", "Don't change my feet until I lose speed", "Widen my stride" and "Move forward as much as possible." But I can't be so conscious during the program, so I cannot control my speed, and there were times I hit the fence mid-air when I jumped [laughter]. I was going too fast when I was little.
M: I know! When I was in Novice and Junior rank, I was scared of the fence.
S:: When we lost control at high speed, that’s how it was, wasn't it?
M: My Jump axis got tilted and my body got thrown into the air. I was scared to death.
S: I know. I know.
--Sumoto senshu has often said in interviews, “Sota was a good example for me.”
M: Yes. Since I was little, I’ve watched Sota feeling, “I can never be better than him at skating skills,” and “he is way above my level.”
S: Ahaha [laughter]. I moved to Nagoya (Howa Sports Land) and at that time Mitsuki was still training double jumps.A little later, we competed together at the Junior GPS Colorado (2015).
M: That’s when Sota was in his 1st year of high school and I was in the 3rd year of middle school.
S: At that competition Mitsuki landed triple-triple combos quite easily. When I saw it I admired him for getting so much better!
M: When Sota moved to Nagoya, I was still jumping with a wrapped leg. I couldn’t even land double jumps yet.
S: Yeah, because I didn’t know the stages of his improvements, I was surprised to see him for the first time in a long time, and I learned a lot from watching him as well.

- to be cont'd
 
Thank you, Rainbow! ^ ^ The boys were so full of action, haha... but I can sort of understand. I don't know if Mitsuki is an only child or not, but Sota is, so I can imagine he loved playing with boys his age whenever he could ⚾
ETA, ah, about the boards, I now understand what Ryuju meant by Sota being 'this cute kid who jumped so close to the boards where other skaters were afraid to jump'. :biggrin:
Yes, Sota's smooth gliding is so lovely to watch, I'm glad it's getting analysed. *_*

So... got to share this because it's funny to me. I had a Japanese class today; my teacher was proudly showing me a piano he recently bought, and I noticed it was a Yamaha product. So, come to think of it - Yamaha pays Sota... sensei pays Yamaha... and I pay sensei for teaching me. Have I then 'sponsored' maybe one sequin on Sota's costume? :laugh: Probably not, but it's an amusing thought. ^ ^ Anyhow, I have to thank sensei nicely next week - he said the piano was expensive, so perhaps he's just 'bought' Sota a new pair of skating boots without even realizing it :biggrin: It's a small world!
 
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Part 4:

--At that time, what did you learn by watching Sumoto senshu?
S: His stable skating and jumps. Around that time I was working on adding a quad and triple axel in the second half of the program, and my performance was falling apart a bit. But watching Mitsuki who delivered a solid performance with good quality triples, I realized that I had to aim for a stable performance. Later, when I was sitting out seasons because of injury, Misuki was at Junior GPS (2017 Latvia 1st place) and watched him skate his free “Les Miserable” and I was impressed by how well he skated. So I sent him a LINE message, “I was blown away!”
M: Your message made me really happy.
S: Even today Mitsuki’s edge work and such are good examples for me, and I learn by watching him skate.
--How do you feel about Sumoto senshu’s comment that watching Yamamoto senshu has helped him improve?
S: Usually we hardly ever talk about that sort of thing, so I’m glad to hear that for the first time. But as I probably said before, I have never thought I am a skilled skater. Rather, I think Mitsuki is better than me.
M: No. When Sota came back in 2017 after injury, I watched him skate for the first time in a long time, and I felt “He is good. I cannot beat him after all.” I had won the Junior GPS and took the 3rd at the (JGP) Final and had started to feel I managed to catch up with Sota, but then I realized I was wrong.
S: Nah, that’s not how it was.
--You two have a mutual respect for each other's strengths.
M: Looks like we inspire each other.
S: I guess so. We don’t usually keep in touch regularly, so we don’t get to talk to each other often, but we inspire each other and learn from each other. I guess that’s where we share the same traits and personality.
--That is great indeed. One more thing you have in common is that you two have stated that Yuzuru Hanyu senshu is your role model. What was your impression of him at the Nationals?
S: I had a chance to practice alongside him during the practice the day before the competition, official practice for the short as well as the free. During the practice the day before, I watched Hanyu-kun’s moves closely, and I was able to skate in a very pleasant atmosphere. But after my skating order turned out to be right after Hanyu-kun, I decided I should absolutely avoid watching Hanyu-kun skate. I really wanted to watch him, but I suppressed my urge [laughter]. During his performance, I kept telling myself, “Don’t look at him. Don’t look at him,” and restrained myself [laughter]. I learned to get into the short program with composure, and it was a good experience.
M: I see.
S: I was the first to skate the free program, and Hanyu-kun was the last, so I watched him closely. His run-through during the official practice was flawless and he performed the way he did in practice.
M: I could only see his short program live, but when I saw him skate for the first time in a long time, he took my breath away. I had gone to Sendai (Ice Rink Sendai) last summer for choreography (for the free), and I heard later that Hanyu-kun was practicing at midnight. When I thought about him practicing by himself at midnight while I was in Sendai, I was really impressed. If I were in his position, I would absolutely not be able to keep motivated and my jumps would fall apart. I mean, who wouldn't?
S: Right. Even at the first competition of the season, with new programs and having practiced all alone, he still performed with such a high level of perfection. I have an enormous respect for him.
M: He did so remarkably well in first outing of the season. He is really amazing. Sota competed with Hanyu-kun when you were a junior?
S: Yeah.
M: When I went to the (JGP) Final, Hanyu-kun couldn’t make it because he was injured. So I have seen him live only three times before. Every time I see him, I respect him even more.
S: In competition, he is considerate of us all.
M: In the backstage he says something to skaters who have finished performing.
S: Right. In competition athletes tend to shut themselves off from others, but Hanyu-kun does that while being thoughtful of others and kind to everyone, so he is extraordinary. Watching him doing that makes me think that I have to become like him as a human being.
M: Agree. I want to become someone like him.

- to be cont'd
 
Last Part of the translation:

--What did you think about his short and the free?
M; He used rock music for the short for the first time in a while, and it was cool.
S: I was like, “Wow! Here comes a rock program for the first time in ages!” His free was a Japanese program which suits his style, and the only words popped up in my mind were “Amazing,” “Beautiful” and “He can perform so beautifully.”
M: I know what you mean.
S: He is really the epitome of beauty. That program showed the beauty of Japan and the beauty of Hanyu-kun so much. He was out of this world. His free skate was so incredible.
M: You know, it was like an evolution of “SEIMEI.” Until that time I thought there would never be a program greater than “SEIMEI,” but after seeing Hanyu-kun’s free, in my book ‘Heaven and Earth” topped it.
S: I have done Japanese programs such as “Nobunaga Concerto” and “Tenchijin (Heaven, Earth and Man)” in the past, but after seeing Hanyu-kun’s free, I wanted to skate to the music like that. I also re-watched his video many times to learn from him.
M: Me, too.
--Next, please tell us what you think about your own performance at the Nationals.
M: In both the short and the free, I couldn’t show at all what I was capable of in practice, and I was really disappointed. Throughout this season, I have been unable to perform well. I was dropped from the supported skaters list, and now I am not saddled with anything. I want to think positively and I’m going to go all out next season.
S: This season Mitsuki has been suffering from hip pain and got sick right before the NHK Cup. He has gone through such hard times, and yet he made it to the Nationals and did all he could, so I think he powered through it. It has been such a trying year for him. Compared to that, I didn’t get seriously injured or sick, but I was mentally tired and I was having a hard time controlling my body the way I wanted. I somehow made it through the short, but in the free, I suppose my mental fatigue affected my performance. However, being able to skate in the final group was the best thing for me, and I learned a lot, and I want to make good use of this experience next season.
--It was too bad Sumoto senshu got sick right before the NHK Trophy.
M: Until the practice one day before the competition, I was very well. But gradually my fever kept going up, and after consulting with other people, I decided to withdraw. Later it turned out my fever was not caused by the coronavirus, but when when the decision to withdraw was finally made, I cried my head off, because It was supposed to be my first senior Grand Prix and I had been looking forward to participating. I felt bitterly disappointed so much.
S: On that day, I got a short message on my phone from Mitsuki saying “Good luck,” and I had the feeling that something was off. Later I heard his news from other people. He must have been extremely frustrated, but I’m glad that it was not at the Nationals.
--Before the next season starts, what do you want to do the most?
S: I want to train the 4F or 4Ltz which I could not do this season. During the off season, it would be nice to train the jump without wearing myself out and for the fun of it more or less. This season’s programs use very beautiful music pieces and are choreographed nicely, but I regret I couldn’t perform the programs to the fullest to sell them. Next season I want to dig deep and follow through with my programs.
M: I am planning to keep the free “The Mission,” and I would like to try hard to build my physical and mental strength in order to add the 4S and 4T to the program and go through with it.

- The End
 
Thanks a lot! The translation is relly helpful.
To clarify Sota's last answer, I suppose he's talking about practicing jumps in general when saying he wants to have fun and not wear himself out? That's certainly a prudent strategy.

Also, one question: what do you think of the likelihood of Sota keeping his programs? His choice of words in his last answer seems to suggest he'd keep them. But one of the Japanese bloggers said she thought Sota won't keep his programs, so I am surprised as to why she'd think so right after reading this interview.

It's so sweet to read of Sota's admiration for Yuzuru. Well-chosen words, too. 'Epitome of beauty' is very suitable wording! (y) And here I thought Sota wasn't good with words :biggrin:

hehe, once more my impression was confirmed by Sota's own words - watching him preparing for the SP with his back to Yuzuru, I had the distinct impression he was forcing himself not to watch. He's such a fan ❤️ Go for it next time you get the chance, Sota! It may be off-throwing, but maybe it won't. Who knows how many more times you'll see your idol compete in the same group. You only live once.

Now - the mental fatigue. Whatever could he mean by that, and what could it be caused by? O_O The pandemic? No competitions, less training? Having a jump loss deja vu under Onishi?
 
This blog entry shows excerpted Kiss & Cry interview with Sota.

--How did you spend your time after the Nationals until Kokutai?
(omitted) This season I put myself in a new environment to focus on skating, but I realized that it caused me stress at times. Then, I began to think, “For now I might as well practice skating in a fun way,” and I skated many of my old programs. Then I got to bring back the joy of skating. It was a valuable time.
--You took 18th after the SP.
(omitted) If I had entered the event by myself as usual, I might have withdrawn from the competition after SP. But Kokutai was a team event (omitted) I’m very grateful for that.
--What are the reasons for your bad condition?
(omitted) I was scared of jumping. When I fell down it was right in front of the judges, and for a second a thought of going over to them flashed through my mind. (omitted) Under normal circumstances that’s out of the question, and it would have been a pathetic behavior as an athlete, but I was so stressed out. (omitted) After the performance many people encouraged me, but I also received critical comments. Some said, “Skate for dear life in the free,” and a skater about my age said, “Why don’t you retire already?” When I heard that I thought I gotta do something. (omitted) He said, “If you get so hung up on your failure that you can only deliver subpar performance, it’s about time you retire.” We are good friends, and that’s why he told me that. I turned all those harsh words and encouraging words into power and was able to perform FS.
--About stress.
(omitted) I think it is good that it happened this season. I learned from this experience (omitted)
--Why did you change FS?
After the Nationals I skated to “Nobunaga Concerto” and “In This Shirt.” I felt that I would be able to express my present self skating to “In This Shirt,” so I decided to skate to it at Kokutai. In practice I was expressing a man’s distress and conflict, but at Kokutai I felt a lot of support from people, and I skated feeling like seeing a dim light ahead after suffering. (omitted) I was doing my step sequence wanting to convey what I was feeling at that moment even for a little bit.

- to be cont'd
 
Last part of the translation:

--After the performance Hino senshu greeted you and it was a memorable moment.
At that time I walked up to him to hug him…[embarrassed grin] I had never done anything like that before, (omitted) I felt really relieved hugging him [laughter]. (omitted) I changed 3A to 2A, but he was kind enough to say, “You did great in that you assessed the situation calmly and made the right call and did the best you could do.” (omitted)
--What did your coach say to you?
(omitted) Onishi sensei had been coaching me, but after the Nationals I told him that I wanted to take the next step forward,” and he let us part ways with his blessings. (omitted) I had transferred to Rinkai for various reasons, (omitted) but back then it was hard for me to practice both SP and FS thoroughly in a 45-minute time frame. For that reason, I ended up being coached by Onishi sensei at Rinkai and practicing what I learned from him alone at Chukyo. After I repeated this cycle, I became physically and emotionally… (omitted) In my case it may be important for me to have rink mates and practice together with them. These days I practice at Chukyo 3 hours every day, while checking with the video I’ve taken myself (omitted).
--What are your jump issues to tackle?
It is most important to hit both 4T and 4S, and to stabilize the layout. After that I would like to try 4F during off season.
--What did you gain most this season?
(omitted) This season since I changed my environment, I was living my life thinking about skating 24 hours a day, but I felt if I had pressured myself too much I would have been crushed under the weight. It is important that I focus on practice in practice time and after practice I should reset myself to feel refreshed. Before I realized that, I had been studying skating even after practice… (omitted)
--Daichi Miyata skated to “Anthem.” I heard that he used the same music source as yours.
(omitted) I mailed it to him [laughter]. Daichi-kun also suffered from injury, and he seems to know how I felt. Every time I went to the hospital in Tokyo, he invited me to eat out… (omitted) I When he told me he wanted to skate to “Anthem,” I felt happy.
--What is your goal next season?
To enter the Olympics. Although I feel that they are very much narrowing down the list of Olympics team members, (omitted) I am moving forward to do what I should and want to do.
--Give a few words to your fans.
(omitted) Everything encouraged me. (omitted) There are many things that didn't go well, but you made me feel “I’m glad that I am Sota Yamamoto.” (omitted)

- The End
 
Thanks, rRainbow! Whoa, so Surimi was right and Sota wasn't with Onishi-sensei anymore by Kokutai!
I wonder who his next coach will be 🤔
 
Yup, no regrets there. I suspect that Onishi could not fix Sota's jump/confidence issues, so now I am hoping he soon finds a coach who will finally give Sota some direction to aspire to, and firm guidance. He sure needs that. From what he says in the interview, he's still not fully okay. It's surely not normal for a young competitive skater to randomly skate to old programs while claiming he wants to be on the Olympic Team. He needs a coach who knows what he's doing, and can re-start Sota's inner fire and competition hunger. "Enjoying skating" is good, and certainly an improvement from "IDK if I can continue being a competitive skater", but it's not enough if one is struggling and wants to get results. I was just watching some old Sota videos this morning, and I miss the old competitive Sota from 2014-15, 2017-Autumn 2019, who was nervous at competitions but was fierce and determined. I want that Sota back, eventually. :pray:In such a mental state, it's not good to be on your own. I am hoping he is waiting for Hayashi, or has contacted another experienced coach in the meantime.
IDK guys, am I assuming too much? But most of my assumptions have proved correct, so :shrug:

@Rainbow, thank you so much for the translation, as always! 💐
 
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