There are some valid reasons skaters keep the same programs
- Jeff skated only 3 competitions in 2006-2007, so both his SP and LP are relatively under-used.
He had a better reason to keep the old program than most, but what was with chucking the new SP and going back to an old on
- Joannie kept her LP, as she was concentrated on 3-3. And she is very close to getting it. I remember you saying she is too old for this, but she proved your point invalid at 4CC - it was very close.
Keeping an old program because you're trying a 3/3 is not a valid reason. And she was trying the 3/3 in the
SP, which was her NEW program. 4CC was a decent attempt, but it was not successful. So now does this mean she keeps the SP for still another year, until she gets the 3/3? Or will she keep the FS until she skates it cleanly?
- Dube/Davidson: they had the horrendous accident at 4CC in 2007. They including their coaching team saw sport psychologists on a regular basis to get over it. It would have been nice if they had two new programs. However, they are courageous just sticking with the sport.
I would think just the opposite: if a program has unpleasant associations, why not get a new program the following season. At Skate America, TT/MM had a far worse accident than D/D, and they were off the ice for most of that season, but they didn't keep those same programs but had new programs the following year.
- Shawn Sawyer also kept his LP, as he needs to get his 3A and 3Lutz down (I am afraid that he really plateaued in his technicality though).
- Patrick Chan: he kept his LP for the same reason as Shawn's. Unlike Shawn, he has done a great job with 3A and perhaps he pushed himself too hard for a second 3A at Worlds. And as you compare his jump layout this year from the last year, you can see it is completely different and choreography has also changed as well.
Keeping an old program because you're trying to 'get a jump down' doesn't make much sense. What if Sawyer NEVER gets his 3A and 3Z consistent---does that mean he skates the same programs into eternity? Seems to me what happens there is the skater is so USED to failing that he will fail again on the same music cue. Better to move on to new music and neutral associations.
In Chan's case, the problem was the choreography was too difficult for him to execute in the first season, and he was trying to do too many things at once when he was too young (only 15-16)---move up to the GP, get the 3A, skate to complex music.
There are a lot of skaters who skated to new programs
I said most of the TOP Canadian skaters stayed with old programs, and that is true. I also said Mira was the exception----but then Mira had stayed with her previous FS for several years so she was due for a new program.
Ice Dancers don't repeat old programs: there is a new OD every year, and no ice dance team would repeat an old program because they'd be marked way down by the judges.
All of the other skaters you mentioned are not top skaters and some of them have never competed at the World level.
But Buttle, Chan Rochette and D/D ARE the top Canadian skaters in each of their disciplines, and they all repeated last years' programs.
Remember what Dragonlady said about Michelle Kwan. Yes, she changed her programs every year, but she watered down the choreo substantially, which resulted in Lori Nichole unwilling to do choreo for her. So what is better, changing programs every year with little in-between elements or keeping the same program for two years and perfecting it? Your call.
What has Michelle Kwan to do with the topic of this thread? She is a 9-time US Champion, a 5-time World Champion and a two-time Olympic medalist. Whatever she was doing, it was the right thing for her. Irina Slutskaya didn't have great choreography either, and she did just fine on the World stage.
Joannie Rochette did the same FS two years in a row and STILL could not execute the program cleanly. Choreography is there to highlight the skills the skater brings to the table, not to demonstrate how difficult a choreographer can make a program. If the programs are so difficult that skaters have to repeat them year after year in order to try for a clean skate, then perhaps the choreography is the problem.