As the Czech hockey team was losing its chance for a world championship last week, its operatic counterpart was scoring big at Prague’s Estates Theatre.
With subjects such as television reality shows providing fodder for contemporary opera, why not sports? Martin Smolka’s Nagano, an opera in three periods plus overtime, relates the Czechs’ victory at the Nagano Winter Olympics in 1998, having come near but never achieving the gold four times in 50 years.
As the future of opera remains hotly debated, Jerry Springer might pack them in on the West End, but it probably won’t send anyone rushing to Covent Garden.
Nagano, however, has virtually sold out its opening run in the theatre that hosted the world premiere of Don Giovanni, and plays to jersey-wearing, flag-waving fans who are so giddy from the experience, they might actually return for some Mozart.
The score, accessible while never pandering, suggests Benjamin Britten, Leonard Bernstein and John Adams.
Combined with Jaroslav Dusek’s and Smolka’s deliciously witty surrealist libretto and a delightfully wacky production by Ondrej Havelka and Borek Sipek, all the excitement, pain, glory, and utter absurdity of big league sports are conjured.
Six sweet and tender hooligans wearing padded muscle suits and sweatpants grunt nonsense syllables during their gym workout, eventually dancing up a Bob Fosse-esque storm including a parody of Swan Lake. A women’s choir gives voice to the ice rink.
Three crucial games are re-enacted by dancers with hip-hop moves, and a ballerina portraying a puck flashes her breasts to distract a demonic Canadian opponent.
Horrified when daydreaming Juan Antonio Samaranch passes him over at the medal ceremony, a team member faints and has a dream in which deified goalkeeper Dominik Hasek utrageously sung, entirely in Latin, by counter-tenor Jan Mikusek is given the crown jewels by Vaclav Havel.
All the members of the enormous cast are champions. The National Theatre knows a good thing. Nagano will return next season. Now, would Beckham be a tenor or a baritone?