Is this what you are talking about?
Yann Tiersen – Mother's Journey (Юлия Липницкая FP 2014-15 pt.2)
I found a youtube version
http://youtu.be/578ueQC1xyM
I went into the season thinking this whole R&J thing would be right in her wheelhouse and I still believe that. (It is easily my favorite FS music by any skater this season and in a class all of it's own in terms of beauty and emotional accessibility. The only thing she needs to overcome is burnout associated with being overworked and once again have the desire to do all the difficult TES stuff to get points. TBH I think her artistry and presence have grown immensely in my eyes since last season. There is something different about her and it's stirring up emotions I don't think she has known before. I will wait patiently for her to return to her center. I write music for hobby and sometimes even for work. There are times when I can't even look at my guitar or my drums with anything except emptiness......but every time the feeling of inspiration returns it seems to be stronger and wiser than before. This I understand.
Amtrak has internet access, so I looked up that quote from this interview
http://www.fsuniverse.net/forum/ind...autumn-winter-2014.93222/page-18#post-4374031
Q: A question about the free program: why «Romeo and Juliet»?
A: Because the name and age are right. I am a little older than Juliet now, but not too much, and I can yet portray this girl.
Last time I did «Romeo and Juliet», there wasn't a subject, only music and my skating. Now the image is more gentle, more mature. But, of course, I haven't shown it properly in China. I haven't done anyting in the free. Because of failed jumps, all the steps were off. And the image didn't work. But, at least, whatever the next performance is, it will be better than in China.
Q: Without doubt.
A: You see, there is at least something positive. At the next Grand Prix in France,
I will try to show what I feel that I haven't shown here.
That interview left me in a state of shock, So many unreasonable, destructive pressures. She was in the cross hairs of idiots. So they hang up on her? So they give her one week to come up with the music (something you will appreciate more than most, Sam)? What skate nerd made that outrageous demand?. It's not as if she wasn't trying, it's just that fulfillment depended on getting the right music. Then there was internal pressure, such as her anxiety over pleasing her fans. I wish we could convince her that's the very least of all her problems, we are as loyal to her as she is to us. This speaks to the joyful significance of Alba's caress, Alba always gets it right, And last but not least the edges, rotations and spins. She has to be a great athlete and win competitions just to get on stage where we can see her. The interview read like a diary straight out of Megapolis. It sounded like she was really living it, a river of pain with no kite in sight. All this in order to show us what she feels. Too bad the master isn't around to properly dispense with the riffraff.
But for us was fantastic indeed. 
