I think Bestemianova/Bobrin's work is quite different from Tarasova's. And I didn't really like most of Tarasova's programs for Mao, especially Bells Of Moscow because Mao is such a light and airy skater, it had too much weight for her, I thought that it was such a pity. Not that Mao didn't do justice to it, it was good, it wasn't about her, it was the type of music/program/choreo that never really felt right. I also didn't like Swan Lake. Mao's most lyrical programs were the best for me, it highlighted everything that is great at her skating, my favourites are Claire de Lune, Liebestraum, and everything Chopin. The only Tarasova choreo that I liked for her was Ladies in Lavender, even if it was still a bit exagerated, and I liked just because of the style that it's similar to what Lori Nichol used to make for her. I Got a Rythm is an exception, I like it too. So it's just a question of preference, I don't know. That's why I'm not sure of Yuzuru using Tarasova choreo. However, even if he's also light he's still such a power skater so maybe it can work, who knows. I think there's a very slim chance of him working with russians though, ever since he moved to Canada he has only used canadian choreographers, but I wish that would happen. Not with Tarasova but with Bestemianova/Bobrin.
And the only japanese pop program that I really liked from Yuzuru (loved actually) was Hana Ni Na rae, the others were nice I think .. But honestly, it felt kind of flat, like the same thing over and over again ... Maybe i'm just tired of all the japanese pop.
I'm most excited about his choice of music than the choreographers ... I shouldn't be because he will most probably choose something dramatic/from musicals/character driven for the LP once again, maybe show up with Carmina Burana... But I can dream ....