- Joined
- Jan 22, 2017
whole post
I just want he to bring back Seimei as an EX
idk, but I teary eyed reading your post :sad4:
this young boy really..how far he has become
Last edited:
Follow along with the video below to see how to install our site as a web app on your home screen.
Note: This feature may not be available in some browsers.
whole post
Should we call it the green jump?And the salchow, any reasons why it is yellow?
No problemI never watched "Story", I didn't even knew that it exist actually, so thank you for this list
If he plans to do Greatest Hits 2014-2018 next season (and I hope he does) I want to see Chopin, Seimei and Let's Go Crazy again. Notte Stellata and Requiem too, from exhibitions.
Yes, he really has come so far. So much has happened, ups, downs, disappointments, elations.. The thing I really like about this whole "Greatest Hits" thing is that it's a celebration not only of himself and his journey, but also of the fans who have followed him and been on that journey as well.I just want he to bring back Seimei as an EX
idk, but I teary eyed reading your post :sad4:
this young boy really..how far he has become
Yes, he really has come so far. So much has happened, ups, downs, disappointments, elations.. The thing I really like about this whole "Greatest Hits" thing is that it's a celebration not only of himself and his journey, but also of the fans who have followed him and been on that journey as well.
If he does the same next season (assuming new SP/LP), how do you envision "The Greatest Hits of Yuzuru Hanyu: 2014-2018 Quad"?
Thanks, unico :luv17:No problemLove your choices! With Milan, Italy being the location of 2018 Worlds, I'm 99.99% sure if he goes we'll get to see Notte Stellata there. A fitting end to the season, and a perfect sequel to the story of White Legend to encapsulate his journey from his first year in seniors. (Where's my smiling through tears smiley? haha)
Yes, he really has come so far. So much has happened, ups, downs, disappointments, elations.. The thing I really like about this whole "Greatest Hits" thing is that it's a celebration not only of himself and his journey, but also of the fans who have followed him and been on that journey as well.
I don ' t really get their logic . It is " unbelievable" to earn both titles because once you' re an olympic gold medalist you get hyped by the media ? Ok .
I finally managed to catch up with the thread and saw that this translation request by Fayruza was left unanswered so yours truly- who has just gotten out of a 5-week exam period and cannot adapt to not having to study all day/night- has picked it up.
I don't really get their logic. It is "unbelievable" to earn both titles because once you're an olympic gold medalist you get hyped by the media? Ok.
Also I am very sleep deprived so feel free to point out mistakes.
Wow, when you put it all together like this.... :') It's just like Yuzuru, and he's come so, so farThanks, unico :luv17:
Reading your post on H&L also increased my appreciation of the program tenfold (even though I loved it from the start). <3
Greatest Hits of Yuzuru Hanyu 2014-2018... mmm. Got to think for a bit.
POTO and PW seem like obvious choices in terms of great significance (overcoming adversity) and greatest hit. But he did PW for EX at WTT in 2015 already.
Chopin - (still thinking)
SEIMEI - The program where he digs deep into his roots, and asserts the strength and delicateness of Japan. Surely the definitive program of this quad...
Requiem of Heaven and Earth - A program where he lays out his memories and feelings about 3.11... a program that capped off a season of the highest highs and the bitterest disappointment at himself perhaps, but one that he skated to, with perfect abandon, as if it were his last ever, knowing that he's going to be off the ice for a long while and his future seemed unknown.
Hope & Legacy - Into a new season, a strong will to pour his thoughts and feelings about figure skating into this program, and to become one with the environment and with his audience.
Notte Stellata - Perfect end to the arc that begun with White Legend.
Yes, he really has come so far. So much has happened, ups, downs, disappointments, elations.. The thing I really like about this whole "Greatest Hits" thing is that it's a celebration not only of himself and his journey, but also of the fans who have followed him and been on that journey as well.
I wish I was with him since the beginning...not sure how I could have emotionally dealt with all that, but nonetheless I wish I was there...
I guess I'm just glad it's not too late and I am here now.
:sad4:
Actually crying...this is sadder than a korean drama...
3900 pages! We're so close to 4000![]()
I wish I was with him since the beginning...not sure how I could have emotionally dealt with all that, but nonetheless I wish I was there...
I guess I'm just glad it's not too late and I am here now.
:sad4:
Actually crying...this is sadder than a korean drama...
Everyone's journey is different.At this point I'm just thankful I got to know that he exists, that I got the chance to watch his journey from videos and interviews and old threads. Joining now is better than joining never at all. :sad4: Ah, I'm sentimental, it's getting late in the night...
I'm glad you enjoy my ramblings, love your comments as well! :yes: I can envision all of those, and your interpretations are wonderfully expressed, especially your take on Notte Stellata. For me, this program in particular is so nuanced in meaning and my interpretation of it changes almost every time I watch it. There's the background context of The Dying Swan set to Saint-Saëns's Le cygne (fragility of life), Yuzuru's comments ("gently moving forward"), the context of his career and other programs programs, the romantic lyrics, the skating aspects, the jumping aspects, and then all the differently nuanced performances. Now, you've added a new layer of interpretation for me to contemplate when he skates it: transformation. :yes:Wow, when you put it all together like this.... :') It's just like Yuzuru, and he's come so, so farThanks, unico :luv17:
Reading your post on H&L also increased my appreciation of the program tenfold (even though I loved it from the start). <3
Greatest Hits of Yuzuru Hanyu 2014-2018... mmm. Got to think for a bit.
...
Like "muscling" the jumps and using the upper body to rotate rather than letting the skating edge cause the rotation, maybe?
What does telegraphing mean?
I wonder if Med could do less of it if she wasn't tano-ing most of her jumps. And yes one of the reasons I love yuzu's skating is because his jumps are like they're out of nowhere. It's glorious.I don't know what to call it, since English is not my first language and I'm still very new in FS. I googled telegraphing and yes that bothers me too.
But what I meant is more like Evgenia (and a lot of other skaters) does. When she's about to do a toe jump, she raises his leg so far and all of her body obviously looks tense when hitting the ice. You can see clearly how she moves all her energy to that leg so she can jump that you don't even need to see the slo-mo to see it.
I understand jumping is hard, but it throws me out of the program. Especially if the program is supposed to be executed delicately.
Meanwhile, Yuzu does it with ease that sometimes I don't realize it's a toe jump.
I hope this is clear enough :hopelessness:
somehow, all Nathan's quads landing are bother me alot, I don't know why..
I thought I was the only one. I know he's doing the harder quads but I'd rather watch Yuzu jump. He also has a weird technique where he puts his hands flat to his chest. Someone did a SBS comparison with him and Yuzu and Shoma and it's really interesting. I'm sure it's to his advantage. Probably less air resistance so he gets the rotation.For me it is how his free leg unwraps as he lands. It kind of sticks out really straight. Nothing he can do about it, does not matter, but I notice it compared to other guys.
I've read too many horror stories that happen in wax museums as a child...
You are not kidding. Who knew that the most basic part of a skater's costume would be getting the biggest response...
I still remember the gasp (probably collective across the fandom) when he stepped on the ice at Autumn Classic with those white legs and sparkles on them... it was total shock on my part.:eeking:
Notte Stellata for me is the program where you really see the growth of Yuzu's skating skills and how focusing on expression of the music and conceptualising a kind of scene or story has added richer depth to his performances over time. While he has always been able to deliever more dramatic performances and has been able to carry louder, flashier music, now he can also perform a quieter, gentler, more subtle and nuanced performance. It shows his growth and refinement, and the maturity he's gained. He wasn't quite an ugly duckling before but it's like the baby swan entering it's prime.