I know, late to the party, but seeing Jason live, in all his magnificent splendour, was my second personal highlight of the whole experience (first being ofc Piper and Paul all things connected). He might be the most open, enthusiastic and positive figure I've ever encountered in my skating perspective - he personally and his work, what he puts on ice really strives for the connection, contact and as he keeps on giving his skating to the people, they are coming back so strong for him with support.
First thing I noticed seeing him even at practice is how prominent presence, carriage he has while on ice - but it is not like a 'cold', distant one, but very drawing, approachable kind; he has an incredible refinement over his movement in general, the way he just skates around the rink sets him apart really from other skaters I'd say: the lines, posture, finishing, fluidity in transitioning. All very 'innate' and instinctive, natural to his attitude in my opinion, I've never seen him like 'forcing' a move or faking an emotion/affection in the performance. I am really glad that his natural talent in moving and expressing emotions at the same time shone so brightly in Grenoble and I was there to witness it.
I do think that the way SP went was the most sophisticated and stylish way to show a figurative middle finger to all naysayers and Debbie Downers - it was a perfect illustration how rewarding towards quality the new system could be, that providing an exquisite quality over every single element and component of skating can get a praise and recognition. People were mesmerized in the arena, captivated by how he moved and how he expressed the music, how amazingly he was going with the rhythm, every single note/change in the music was perfectly accentuated by his body: line, gesture, small or bigger move. And all his signature motions and flexibility just sat so naturally within choreography, music and general concept of a program, I never felt a 'gimmick' vibe watching it - it is a testament of how Jason progressed/progresses in new environment, but with respect to his natural abilities, skills and that personal/signature style of performance he already achieved before the move. And did he progress - his overall look (not only shorter hair), demeanour and composure while performing are much more mature and confident from a deeper place than previously; SP is still quite 'show-y' and in Jason's vein, but there is newfound subdued sensuality and intimacy in how he expresses things, how amazingly he builds the tension along with the music through movement, he just does not throw himself anymore all inside the piece with exuberance, donning emotions more deliberately and with more sophistication factor over wholesome than just a program. As I wrote in IdF thread, there's just a feeling of so much satisfaction and easiness watching Jason doing his thing, effortlessly and with such musicality - he has that sleek 'snap' to his movement and gesture, how he operates his hands in expressing music within choreography, how he uses his lines to accentuate the edge/to make a certain shape for the music. He just simply transported me to his space for that 3 minutes and I've got totally seduced by the whole package. and the score - I mean, if someone can do quads this smooth AND present such fantastic skating skills in every element/throughout whole choreography, adding so much charisma and personal touch over it, 'owning' the space and insert signature - suit yourself and get 120+; someone's exquisiteness and superb quality is not an excuse for complaint if other did not execute/perform to their expectations, everything should be rewarded accordingly and this time (o irony), it was. I can equally respect and value a fantastic skating without quads and a highly technically-packed effort with multiple quads executed, nothing rocket science about that.
FS may have been less successful in terms of execution, but the level of growth and effort put into expression, balance between telling a story/engaging audience and having the substance executed was enough for me to expect great things coming up. I like that 'mellow' vibe of the music, a vintage notion to it that meets Jason's energy and youthfulness - it really results with gaining more maturity and consciousness over different aspects of Jason's skating I think and it starts to shows effects on the ice. He, in opposite to Evgenia, was not suppose to start everything from scratch - he just needed a new impulse in the right direction, a bit of a challenge to what he achieved to this date and elevating it to another level, BUT all step by step, with pace that will accumulate and sustain the growth in Jason and his skating persona. And from seeing him live, his interactions with Tracy and Brian, reaction to the audience he understood the process, the length and effort of it and tries to facilitate everything he learned after the change with his approach and attitude.
Me and
tabsy got signatures from him and his enthusiasm and humble acceptance over our positivity towards him and his performances gave us the best energy ever

. If you have any specific questions about Jason, his programs, performances, practices etc. just let me know, I'll try to post my best impression