Daniil Gleikhengauz: “It seems to me, first of all, the trainers needed to step over the barrier in their heads that girls can do quadruples”
Daniil Gleikhengauz, trainer and choreographer of the group Eteri Tutberidze after the Grand Prix finals, answering questions from foreign journalists, commented on the performances of the wards in Turin, explained what were the prerequisites for the development and execution of their quadruple jumps, talked about his love for ballet and the creation of new programs.
-- Alyona Kostornaya won the senior Grand Prix finals, as a year ago the junior final in Vancouver. What can you say about her performance in Turin?
- Alyona deservedly won the Gold medal. She cleanly performed two programs. She was great in choreography. She showed that you can score huge points and set world records with the content she has.
We will continue to work. One must progress anyway. Let's wait and see, if there is an opportunity, we will start learning the quadruples. It’s hard to talk about this while the season is going on, because there’s no time for it, and the risk of injury is too high.
-- Another student of your group Anna Shcherbakova became the Silver medalist. How do you rate her skating runs?
- In Turin, Anya has so far had her best performance in the short program. She set a personal record, so there were no questions about the short program, except that she needs to add a triple Axel to the program.
As for the free, for the first time we went for a quadruple Flip. We knew it was a risk, already skating a program with two quadruple Lutz’s, to achieve a clean performance. We discussed this, and Anya herself wanted to raise her difficulty and try a new quadruple. Indeed, where to try, if not at the Grand Prix finals? Try and take risks.
Ahead of the Russian championship and, God forbid, the main starts - it is necessary to skate out a more complex routine. Therefore, I congratulate Anya on how she coped with the new version of her free program and at the same time received very good components, which allowed her to take second place.
-- Aleksandra Trusova won the bronze medal, performing five (!) quadruple jumps in the free program, which is beyond the power of many men.
- Sasha went to the triple Axel in her short program. We only recently taught her to, and while the stability of execution leaves much to be desired. It was such a risk-risk, but this is Sasha! Therefore, there is even nothing to discuss. It is impossible to dissuade Sasha from not jumping something more difficult.
We understand: the goal is the Olympics, and preparations for it are already underway. The sooner Sasha starts to skate on that content and those programs that she wants to show there, the easier it will be for her at the right time.
Skating a free program with five quadruples - it's hard to say something about this. Although Yuzuru Hanyu and Nathan Chen have shown that it is possible to jump five quads in one program at a high level. Sasha in Turin did not get the quadruple Salchow - she made a “butterfly” and lost 10-12 points.
Such a number of quads is always a risk. One mistake and you are third, one good exit and you are first. This is what adds interest. Of course, maybe at the most important moment we can control the number of quads to the end so that Sasha gets the maximum result. But while she is growing up, progressing, she wants to do it, and it is impossible to stop a person in his desire to develop.
-- Alina Zagitova perfectly performed her short program, and made mistakes in her free one. What do you think happened?
- These were two days of completely different emotions.
We were very proud of Alina after her short program, because she showed the perfect combination of all the elements in er skating from jumps to sequences, spins. In addition, she emotionally conveyed what I wanted to see in this production. And the opposite happened in her free program ...
It’s hard for me to say what happened with Alina inside, before and after the skating run, because the emotions an athlete experiences from victories or defeats cannot be felt by other people. We can only support Alina and be with her at this difficult moment. Alina is a person with a strong character.
-- Another skater of your group Daniil Samsonov won Bronze at the first junior Grand Prix final in his career. This athlete impresses beyond his years as a serious and mature person. This is true?
- Danya is distinguished by his attitude to business, training. He is always collected and serious. It's hard to get a smile from him. But it’s good for work. Dani has a goal. Clearly, we are talking about the Olympics. And he approaches his goal. He is still a young athlete. The first year, the first season performing in the juniors at international level.
Unfortunately, in the short program, Dania made a mistake on the triple Axel, although he can skate out this program cleanly and gain very good points. In Turin, of course, this was not enough for the overall result. There were errors in his free program. We lost one cascade. And the fact that he took 3rd place with such skating runs, I think, is still a good result.
Next we will prepare for the National Championship. In Turin, we skated with one quadruple, in training with two - Lutz and Flip. It just needs to be skated out to be more stable.
-- The girls of your group, American Alysa Liu, our Lisa Tuktamysheva, Japanese women, jump in their programs quadruple jumps and triple Axels. In your opinion, what caused this phenomenon in women's skating?
- It seems to me that, first of all, the trainers needed to step over the mental barrier in their heads that girls can do quadruples. The whole question was that we never saw this. Yes, there were isolated cases, but no one thought it was necessary, was possible. And the main difficulty was to mentally cross this line. Now we see it is quite real, already some do it. Not only in Russia. And this suggests that we pushed the whole world towards development, and the world answered us. There are more and more rivals, owning the same quadruple jumps. This progress cannot be stopped.
I think now it will become commonplace, as was the case with the boys. After all, before, the boys jumped a triple Axel, then a quadruple Toeloop, and this went on for quite some time. At best, two quad Toeloops jumped.
Then Timothy Gable jumped the quadruple Salchow. Then Brendan Mroz performed the quadruple Lutz. And those who jumped the quadruples thought: “Since we are jumping Salchow, why can't we Lutz?” Lutz is easier for many than
Salchow. And the boys began to jump other quads, not just Toeloops. The number of quadruple jumps in programs has increased.
Therefore, it is not surprising that the same thing happened in women's figure skating. The number of athletes who jump the triple Axel has increased. Now we come to the fact that a girl who begins to engage in figure skating, for her, these jumps become the norm. She sees a competition where athletes jumps quadruples and Axels with three and a half turns. And the girl goes to training with the thought that she also wants to jump quadruple.
It just happened a jump that was supposed to happen, because the difficulty in women's single skating has already “stagnated”.
Of course, it was hard to accept, because we didn’t see female figure skating in this form before. But for young people who come and stgart in figure skating, after some time it will seem strange that once the girls did not jump fours.
-- So, to a greater extent this is a matter of psychology?
- Yes, just the trainers themselves were not ready to accept it. And athletes, by the way, too. Now our athletes are calm about the very idea of studying quadruples and triple Axels. And then there is no such thing that we go on a jump from the first attempt. We trained for a long time on the fishing rod, with protection, physically, but it was still scary. Any attempt at a quadruple is a risk. But, as practice shows, you can get injured while off ice, anytime, anywhere. Therefore, when studying complex jumps, one must always be focused, control everything so that the athlete does not go into complex elements against a background of fatigue and so on. But this is the work of the trainers ...
No matter what they say, quadruples in girls are becoming the norm. And everyone will strive to jump difficult jumps.
-- But there are people who say it is dangerous. Although earlier they said the same thing when women started riding horses or bicycles, for example.
- If we talk about figure skating, the issue of height and weight plays a role. If the boy’s height is 180 and weight is 70, and he jumps quads, then the average height of the girl is 160 and weight is 50. And the girl can also make this jump. Moreover, the girls are more stretched, soft, flexible, and when your body is well prepared, the muscles are elastic, the probability of injuries is less.
Look at Yuzuru, how his ligaments and muscles are perfect when he “explodes” into a jump and completely relaxes them afterwards. Even when he falls, it is often seen how much he softens the fall by relaxing.
-- Like a cat.
- Yes, like a cat. Therefore, I do not understand the reasons for this outrage, why girls should not jump quadruple jumps. Now Lisa Tuktamysheva has shown everyone: if you have the proper technique, you can jump triple Axels and learn a quadruple at any age. With the possibilities of pushing off and twisting that Lisa has, if she had set a goal from childhood to learn quadruples, if it was necessary during that period of her career, then she could’ve jump all five quads. But maybe four, with the exception of the Rittberger. It was simply not necessary at that time, and Lisa did not learn these jumps. And now she started to learn and it turned out that she could jump them.
-- Moreover, as you said, for girls with their height and weight - this is less traumatic than with the guys.
- Naturally. In addition, girls are much more attentive to how to approach this process. They will always stretch their legs, make the necessary massages, never be too lazy, run, warm up, cool down, so their body will be restored after exercise. Boys are more likely to “forget” this. On my own I remember: 5 minutes and I was off. And the next day, my muscles cramped, went into a complex element, jerked slightly and got a microtrauma.
Therefore, it is very important after any workout to completely relax the body - stretch, massage, procedures ...
After such a recovery, the next day you can start the same training loads and the risk of injury will be minimal.
-- Your mother was a ballerina at the Bolshoi Theater, why didn’t you follow in her footsteps, didn’t you choose ballet?
- Because from the age of four I was engaged in figure skating, and in ballet they’re only taking from seven. By that time, I had been skating for three years and did not want to leave. I cried and screamed that I won’t go to ballet. Although my mother took me to figure skating with the aim that I should prepare for entering a ballet school.
-- Your mother Lyudmila Shalashova recently passed away. And you staged an exhibition program for Alina Zagitova in memory of your mother. Can you tell me how this idea was born?
- The demonstration program that Alina performed at the Sapporo Grand Prix is dedicated to my mother, who left us more than a month ago ... This number was born to me 3 days after everything happened. I came to training and told Alina that I had such an idea. Alina asked: “Would you like to perform this number yourself?” It was very nice of her, but I still decided to convey my feelings, emotional feelings, through Alina and thank her very much for agreeing. This number symbolizes a new life, something natural, connected with nature, beautiful, understandable to people. This one is like rebirth, bright memories. It was so easier for me to bear and survive the bereavement.
-- How did your mother help Alina?
- Mum was engaged in choreography with our entire group. She practiced all the programs in the dance hall — each hand, each gesture. She worked a lot with Alina in the Olympic season on the Black Swan and Don Quixote. She was very close with Alina, and Alina gave my mother a birthday kitten, who now lives with me. Kitty has grown. Its character is very similar to Alina ...
Alina had a trusting relationship with my mother. And for Alina, my mother’s departure was a heavy blow, as for all the athletes in our group.
-- Excuses for bringing back those emotions ... Tell me, you didn’t do ballet, but do you like ballet?
- Of course. How can a ballet not be liked? It’s just that my life is closely connected with figure skating, and it seems to me that we, skaters, have a little more opportunities than in ballet. Using ice, skates, you can do a little more than on the floor.
-- Do you have a favourite choreographer in ballet?
- Maurice Bejart.
-- Why him?
- Because he has this peculiar and special choreography. I try to do something different in my programs and in my work. Each choreographer should have his own style. And in order to be remembered, he must do what no one has done before him.
-- There are a lot of students in your group, how do you manage to stage different programs for everyone?
- This is the most difficult. I am ready to appeal to musicians to write more new music faster, because from many composers such as Max Richter, Dario Marianelli, I used almost all of their compositions. They need to work faster, because we stage a lot of new programs, and they write new music slowly.
Of course, I make programs together with Eteri Georgiyevna. For so many programs, a huge number of ideas are needed.
-- Thank you and good luck.
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