Follow along with the video below to see how to install our site as a web app on your home screen.
Note: This feature may not be available in some browsers.
Gave me Jeremy Abbott vibes for a secondAah weird fall! Hopefully he didn't get hurt

Interesting to note with Send In The Clowns, Sondheim wrote it specifically for Glynis Johns (the original Desiree) taking into account that she had trouble with breath control and sustaining notes. Which is why it's a series of short phrases, not meant to be sustained. He wrote once that he was completely baffled that so many "first rate" singers wanted to cover it when they could've covered any number of his other ballads.Creep is in a way like Send In The Clowns, you need that soft, unexaggerated sadness delivered with control and restraint for the song to be good, and a performance to those songs should also follow suit. Sadly so many covers and thus so many programs do not, at this rate we'll have to be happy with getting someone who can actually sing
Yes and for her very limited range. But it's Sondheim and he wrote such good music. I love doing The Ladies Who Lunch and I'm male.Interesting to note with Send In The Clowns, Sondheim wrote it specifically for Glynis Johns (the original Desiree) taking into account that she had trouble with breath control and sustaining notes. Which is why it's a series of short phrases, not meant to be sustained. He wrote once that he was completely baffled that so many "first rate" singers wanted to cover it when they could've covered any number of his other ballads.
exciting grouplast group after Zamboni![]()

Yeah I mean three Canadilan Jr men just did it.Well we know Jacob just has to beat 201anfd change to most likely get the skate America to host spot
Sondheim, bless his soul in heaven, should have known that the tightly packed melancholy and regret in those short phrases would attract performers of all kinds, if I may say so. Not the best comparison but I think it's like how Leonard Cohen's songs are almost never covered with anything similar to his original low, resigned, almost noteless tone and manner, those singers cover the songs because they're attracted to the understated emotion but want to draw the full feelings out, not realizing that the understatedness is what made the emotions so poignantInteresting to note with Send In The Clowns, Sondheim wrote it specifically for Glynis Johns (the original Desiree) taking into account that she had trouble with breath control and sustaining notes. Which is why it's a series of short phrases, not meant to be sustained. He wrote once that he was completely baffled that so many "first rate" singers wanted to cover it when they could've covered any number of his other ballads.
Oh absolutely. I think in a way it's a good thing that he ended up realizing he didn't know what a pop hit sounded like/gave up trying to write songs to be popular hits and focused on making them good in context of the shows, because trying to write a hit is a surefire way not to. And he definitely had some questionable opinions on his own material sometimes (like calling Tim Burton's Sweeney Todd a successful adaptation...)Sondheim, bless his soul in heaven, should have known that the tightly packed melancholy and regret in those short phrases would attract performers of all kinds, if I may say so. Not the best comparison but I think it's like how Leonard Cohen's songs are almost never covered with anything similar to his original low, resigned, almost noteless tone and manner, those singers cover the songs because they're attracted to the understated emotion but want to draw the full feelings out, not realizing that the understatedness is what made the emotions so poignant
