I still view Wylie's program on YouTube when I want an uplift. There is so much to admire in it, even beyond Wylie's charismatic, bold performance. The music is a movie soundtrack but a good one, not just generic booming music. It has a strong melodic continuity and even tells a story, and the second piece that is edited with it (the final section of Saint-Saens' Organ Symphony) blends unusually well with the Henry V music. And Wylie sells it with conviction. By comparison, Dennis Ten's music, though it contains bits of Shostokovich (the only finalist's program I've seen for myself so far), has a diffuse, unconvincing feel to it, so that there's nothing pushing me forward. Though it's wonderful to watch Dennis skate with such authority, I don't anticipate watching this performance again and again for emotional rewards.
We often say that with CoP there's not much room to create a dazzling program, but I think part of the problem is that the music often doesn't support the skater in this regard. That's one reason so many of us warm to Jason Brown's Riverdance program. It is a living piece of music that pulls us forward. It has a feeling of wholeness (literally of integrity) rather than sounding like put-together snatches of tunes. And, of course, Ward's choreography makes every note do its job, while Jason carries it beautifully with his skating.