Right, I didn't mean to say anything bad about Shun (or his music!). I actually like him and how he develops. I am sure he can do more, in a way what's happening is not his fault. Kids who can both skate and jump, and have the skill to perform quality choreography if it payed off, are forced to abandon this route and focus on jumping. It's unfortunate really. The other day, I read an interview with Ari Zakarian, in which he complained about the tech. panel calling Ilia's UR's and q's. I was thinking to myself that thanks to what's been happening during the past few years, there is already an imbalance in scoring and a lack of variety and quality in programs compared to 2000s and 2010s, and now he suggests that tech. mistakes should be forgiven.As someone who loves Shun's FS music and have added it to my Spotify playlist, I also recognize that the cut of it actually does not translate to a great skating program. The climax is in the step sequence, but the music is almost too fast for him to really bring out the emotion and for it to be satisfying for the audience. He's stuck trying to do complex steps instead of highlighting the highs and lows of the music, as you say. I do think he did a much better job at GPF compared to COC, where it really felt kind of boring.

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