In the Free Skate too? I'm going to check. Her Double Axel is so good in general (not the highest or longest, her jumps are in a good medium range) and her Free was so exhilarating, she was flying and a good deal of the interpretation part is already there, the program is living in spite of the music cut. I thought the underrotation in the Short Program was due to choreography. Now, while agreeing that the whole scale of each Component may be argued, that one could keep every competing Woman under 8/64 because of an inaccessible ideal or transposing to Women what Yuzuru Hanyu did in his last two seasons as the level to reach to get 10, I see her as having an edge on her best competitors in Skating Skills, as having at least as good a carriage as Isabeau Levito's in a very Japanese way (I love both; it's one of Figure Skating's advantages that we can see skaters with very different styles), a great musicality too, only in Composition the music cut sets her backward on one criterium, and such a packed program, so one-footed, beautiful edges etc! 217 with minor errors on jumps looks high, but when we look at the details, it does add up this way? Others got over 220 at other competitions because their errors weren't called, their Components assessed VERY generously (I agree with abandon as a criterium but it can't make up for many weaker ones). 71 for how she skates was all right (by no way generous) for a reasonably strict judging, while others even in this competition got more without reaching her level, they were scored on a more lenient base.
Did you protest after Grand Prix de France and Cup of China?
Edit, rather than adding a post; in answer to your post about Skating Skills not being the only Component, I wrote it in full because she's so evidently above some scored higher; I wrote only etc for Presentation and Composition because the problem seemed to me less visible there, being on a par with the best and scored well under.