- Joined
- Jan 25, 2013
I'm talking about the arm movements - they were exciting but a lot can turn into too much. I suppose if you wanna get into PCS criteria, he wouldn't have done so well on "Variety and contrast of energy and of movements;" because it was high octane pretty much the whole way through. I prefer a program that has ebbs and flows to it with sharp/quick and soft/languid movements. I like lines/positions to be not only hit but also held. Again, exciting to watch and I loved it - and one of the best programs of all the disciplines, IMO - but if I'm talking about scoring and opining as to why it didn't score as high, that is one example. If we're talking about balance of choreo/program construction/leaving points on the table, he's the only skater in the top 17 who didn't have a jumping pass in the second half, too.I see execution. But then I dance with choreography and he skates with it. I'm not sure where in the choreo you interpret "slop" so what are you precisely referring to? Or are we talking jump entries, back side jump exits or what?
We get to see his Eleanor Rigby program