Yes indeed, although refracted through the lense of my own recollection, it was your very own posting that I paraphrased. A bit of laziness not to track down the original is my shortcoming, and I beg pardon for misapplication of quotation marks used only to highlight the fact that the original thought was not my own.
While patiently waiting for the next performance, it is all fans' treat here to share, compare and "Let (us) count the ways."
To wit:
Reviewing her solitary public appearance this year, I found myself replaying time and again from the first camera cut, where a few simple strokes, a pair of turns and a couple of crossovers are enough to steal your breath.
And when a gesture comes from the wrist, an almost visible line of energy runs continuously throughout, from the blade to the fingernail polish.
Early reviews were quite mixed, but, when polished, I think "Crown" will prove to be iconic. Notable already, one infamously critical skating "pundit" has confessed that a very dimissive first impression was almost immediately swept away upon subsequent review, and now "

" is called "next level", "perfect", "so right".
And the flamethrowers are out for sure, regarding the transfer, and the interview, and the "crowded ice" issue. But I say that "diva" is coarsely abused as a slur by the Philistines toward the many, many pretenders, whereas Alyonushka has been quite candid about these issues. "I am a difficult person"; "I am emotional."
(And I've already mentioned on this board my interpretation of the choreography bringing the finger guns to the judges.)
Hey, if the crown fits.... Though I wonder, how does she get it over those horns?




We have Alina for the icon, we have Zhenya for the martyr, we have Sasha for bravery and Anya for piety, but for me, personally, I have only one simple desire..."Let me see more of that

!"
Surely I am not the only one who sees these things, am