Andrei Mozalev | Page 95 | Golden Skate

Andrei Mozalev

Good morning, folks! My calendar tells me that today is Junior National Team test skates, which means a new season begins. And I haven't finished the old one yet, nor have I provided you with my traditional program rankings and costume rankings from last season! This needs to be rectified immediately.

The 2024-2025 season has been quite nerve-wracking for Andrei. He is getting used to a new team, new training conditions and new requirements of coaches. A complex of various reasons led to the fact that the season was very uneven and generally unsuccessful for. He did not show everything he is capable of.

But there were some positive moments that should be noted! I will talk more about this when we will take apart Andrei's programs of the last season.

There are 7 items on my list. We'll start today and finish at Sunday to get to the costume rankings! Ok, let's go!

Out of ranking #5-6 #4 🏅 #3 🥉#2 🥈#1 🥇
 
Last edited:
Out of ranking.
Show programs for a large number of skaters in Tutberidze's spring show


Performed at the Tutberidze show.
Choreographers: Daniil Gleichengauz and Eteri Tutberidze.
Music: Michael Jackson - Thriller
Image: a cool dancing zombie 🧟‍♂️

Usually I don't include collective show numbers in my rating. In most cases (I'm talking about shows in Russia) they are done hastily, to create some general picture of a collective gathering at the beginning of the show and in the finale. It is very difficult to determine how exactly each of the participants revealed their abilities. As a rule, they don't give anything to the participants, who do a certain set of habitual for them movements and a lighter set of figure skating elements, finish and safely exhale, concentrating on solo performances.
But here we have a special case, and I thought I should definitely mention it in my rating.

I'm talking about the overall numbers choreographed for all the participants of the Tutberidze show. This year they outdid themselves and really went to the trouble of choreographing EVERY common number. And these were not simple dance moves, but rather complex choreography in the spirit of the 80's, in the style of Paula Abdul's backup dancers and even Michael Jackson himself!
It should be noted that these show numbers were staged in advance, months before the show itself. Each participant memorized the movements, each participant knew where exactly he should be on the ice and what work he should do. That's why it looked like one well-choreographed beautiful show.

That's all well and good, but what did it do for Andrei's development? Why should it be in the rankings?

Let's be honest, we all guessed that Andrei Mozalev can dance and does it very well. But that's exactly what we were guessing. With the exception of the junior programs, everything he showed on the ice was choreographed according to the canons of classical choreography. That's not a bad thing, but he has so many more tools in his baggage, he can be good at modern dance as well. Could we imagine such a hip movement in Andrei's competition program? And how cool he does it!



Look how immersed this guy is in the music, how he feels it with his whole body. He doesn't dance to the music, he lives in it. We remember that Andrei went to music school, which means he has a musical ear. But besides that, he has a sense of posture, a sense of his own body and many other qualities necessary for a dancer.
In these common show numbers Andrei's dancing side was perfectly revealed. And I'm happy to say that the new team paid attention to it and are going to develop this side of him. He danced great on the show and got a dance short program (or should I say rhythm dance?) for the new season. I think that's awesome. So Andrei's dances were bound to make it into my rankings, albeit out of the standings.

 
Last edited:
My rating of Andrei's programs is back! Today we have two participants (5th and 6th place in the rating, I couldn't separate them). These are show programs, they traditionally occupy the lower positions in all my ratings, but this time they have something in common, namely...

...Andrei directed these numbers himself!

#5-6
“Run, Run” (Begi, begi)
Presented at the “Magic on Ice” show in December 2024.
Choreographer: Andrei Mozalev
Music: Ivanushki International – “Run, Run” (Begi, begi)
Image: an ordinary guy in love's sorrow



#5-6

Presented at the show by Ilya Averbukh and Irina Viner in May 2025.
Choreographer: Andrei Mozalev
Music: Khibla Gerzmava – Silence on Mamayev Kurgan.
Image: the spirit of a soldier who died young



Yes, folks, it's true, Andrei said in an interview that he directed these numbers himself. In addition, he often acts as a choreographer, putting together programs for his pupils. He believes that this allows him to develop in different directions, although he is much more interested in the technical side of things. Overall, I like his experiments as a director (especially since putting together programs for himself, and in such a short time, within one day, is no trivial task for anyone).


Overall, I like his experiments as a choreographer (even though putting together programs for himself, and in such a short time, within one day, is no trivial task for any figure skater). These programs are passable, not particularly memorable, but quite pleasant, rich in combinations and accents in the music, and overall not bad. It is beautiful skating that is pleasant to watch. These programs have soulfulness and harmony, with the movements matching the mood and music. If I may say so, they do their job.

I would like to praise Andrei separately for avoiding the temptation to repeat what he had already presented before.
The young man in love only vaguely resembles the pursuer from the program “Where Are You.”
The fallen young soldier with his smooth movements, loving and forgiving, does not resemble the desperate fallen soldier from the program “One Old Soldier's Song.”

In general, these are not bad numbers, I have almost no complaints about them. They are passable, but not faceless. It's not a masterpiece, but it's not a failure either. In less successful years (or when there was an abundance of material), they would not have been at the bottom of the list. This year, they are at the bottom, but not because they are bad.
They are simply not the best.
 
We continue to rank Andrei Mozalev's programs for the 2024-2025 season, and we are getting closer to the podium. I want to award the next participant with a medal for 4th place, according to American custom, even though he did not make it into the top three. This program is too good to leave without a medal.

After all, it is so valuable when someone prays for you.

🏅 #4
“Ya molus za tebya” (I pray for you)
Presented at the April show of Eteri Tutberidze's team (at the 11th show).
Choreographers: Eteri Tutberidze, Daniil Gleikhengauz
Music: NЮ (this is the pseudonym of Russian singer and songwriter) – “Ya molus za tebya” (I pray for you)
Image: someone who prays for you. Someone to whom you are very important.


This season, Andrei received two show programs at once, staged especially for the Tutberidze show by Daniil Gleikhengauz and Eteri Tutberidze herself. Thus, Andrei received two images, one beautiful and lyrical, and the other... fundamentally different, which we will discuss later when we talk about THAT PROGRAM. Yes, it is higher in the ratings, among the winners, but I won't say in what place. And it is very important that the audience could see both images and compare them. They got an idea that Andrei can be good and convincing in different images, not only in lyricism and drama. Both programs are different and reveal him as a skater from different angles, and I am very pleased that Andrei's new team is so interested in his versatile development and does not seek to promote him exclusively in familiar roles.

This show program did not cause as much excitement as... THE OTHER ONE. But if you look at it objectively, it is a very beautiful performance that makes you cry. There is something deeply touching, dramatic, heart-wrenching, tear-jerking, and at the same time warm and soul-warming about it. One woman wrote to me that she came to the show in a depressed mood because she had recently experienced the loss of a loved one. But it was Andrei's show that made her cry and feel a deep sense of relief, and she felt much better.

None of us are immortal; bad things can happen to any of us at any moment, and we can say goodbye to our loved ones at any moment. We have no control over this. All we can and must do is love and respect each other, support each other in everything, and cherish every moment we spend together. These moments of emotional closeness are perhaps the most valuable thing we have; nothing else is more important. The singer conveys this idea very convincingly in his confessional manner, and Andrei is sincere in telling this story on the ice with his movements, gestures, and facial expressions.

[Verse 1]
Tell me about myself
What I don't know myself
Tell me about myself
Look into my eyes, look at me
I really don't know how to live
Look at me
I don't know how to live right

[Pre-chorus]
Please stay with me!
Until my last breath, please!
I'll hug you!
I'll tell you everything
Stay with me, please!
Until my last breath, please!
Until the last second, please!
Because I found you once
And now I carry you in my heart

[Chorus]
I pray for you!
For all your songs and your poems
I fear for you
Take care of yourself, take care
I pray for you!
For all your songs and your poems
I fear for you
Take care of yourself, take care

[Verse 2]
Don't believe it, no, I'm not a coward
You see I'm fighting, come and hug me
Then I'll wake up, I'll wake up to live
So that it becomes easier for us to breathe
I'll wake up to live
I don't want to die now

[Pre-chorus]
Be with me, please!
Until my last breath, please!
I'll hug you!
I'll tell you everything
Stay with me, please! (Stay with me, please!)
Until my last breath, please!
Until the last second, please!
Because I found you once
And now I carry you in my heart

[Chorus]
I pray for you!
For all your songs and your poems
I fear for you
Take care of yourself, take care
I pray for you!
For all your songs and your poems
I fear for you
Take care of yourself, take care

For me, this program is on par with other emotionally charged programs such as “Yunona and Avos” and “One Old Soldier's Song,” although it is more joyful in mood, without any tragic twists.



Thank you to Andrei's team for the idea for this number and for being able to bring it to life. Thank you to Andrei personally for understanding the idea and doing his best to bring it to life on the ice. The result is a very beautiful show number that inspires us.


Yes, it's in 4th place. But only because the other candidates are even better.
Tonight we will begin to get acquainted with the top three, and on Sunday we will find out the name of the winner!
 
Last edited:
This is Andrei Mozalev's program rating for the 2024-25 season, and I'm starting to hand out medals. Let's see who came in third place, and this is a program that I consider underrated.


This is a truly poetic and interesting program.

#3 🥉
Free program “Mission”
Performed on ice at all competitions of the season. Best result – at the GP (R) stage in Krasnoyarsk.

Choreographers: Eteri Tutberidze, Daniil Gleikhengauz
Music: Ennio Morricone - Gabriel's oboe; Asuncion ("The Mission" OST)
Image: a conquistador in search of himself.



I know that many are critical of this program. In a sense, his competitive programs from last season are indeed transitional programs; they are less vivid than the programs from previous seasons. Nevertheless, I see a unique charm and depth in this program. Perhaps it is not immediately apparent, but there is a lot of new stuff here, things that Andrei has not done before or has not done in a long time. There is a lot of complex skating work, beautiful positions in the spins, and they even brought back the Inabaauer, which he had not performed since 2020, after leaving the juniors (and I am glad that Andrei has not lost his flexibility since then). This can be seen as a kind of revision of his skills.
Perhaps the only thing I find questionable is the abundance of direct references to the film. There is the starting pose of someone crucified on the cross. There is the gait of “I am dragging behind me all the family heirlooms, weapons, and armor that hinder my progress, like shackles” during the choreography. For me, it was excessive. Probably, it was done with the aim of showing the development of one character in more detail. But it seemed as if they showed everyone at once: the crucified priest and the repentant mercenary.
It's a very beautiful program. And when Andrei manages to perform everything or almost everything, it looks amazing. Andrei skates it with great enthusiasm, and it's very beautiful.


Why third place? Because there were better programs this season. See you later, I'll tell you who I gave the silver to!
 
Last edited:
This evening I'm in the mood to give someone the silver medal. But I'm a very picky referee and will only give it to a very beautiful and aesthetically pleasing program.

The most beautiful and aesthetic program since “Heart cry”!

#2 🥈
Short program “To bild a home”

It was presented on ice at all competitions of the season. Best result - at the GP (R) stage in St. Petersburg.

Choreographers: Eteri Tutberidze, Daniil Gleikhengauz
Music: The Cinematic Orchestra (feat. Patrick Watson) - To Build a Home
Image: a beautiful sad young man who wants to fly away with the wind.

I will not be verbose, I will try to be brief. This program is a real aesthetic pleasure. If among all of Andrei's programs you liked the short program of the 2021-2022 Olympic season the most, you will definitely like this program with its similar aesthetics.

This is a case where all the trump cards are laid out on the table with a fan. Beautiful and very challenging skating, great gliding. Hard choreo. Chic spread eagles and - oh, what a delight - aesthetic spins, spirals, “tulips”. Finally, the return of the Inabauer after five years. Yes, Andrei is still as flexible as he was at 16, and he can do this element quite deeply and beautifully, which is quite rare for male skaters.

This program was created to present Andrei in the best light, to show all his advantages. And he is very good in it.
Unfortunately, the constant struggle for a cascade with a triple lutz spoiled the impression.

It's good that we have at least one beautiful and clean rolling of this program, where we can not worry about the jumping content, but enjoy the beauty.



This is Andrei's most beautiful, most aesthetically pleasing, most complex and most thoughtful program for the 2024-2025 season.
It is beautiful. And I rightfully award it a medal.
The silver medal.


I anticipate you have so many questions right now. If the program is so good, why silver and not gold? Who beat her? Who's the winner? What does it have that this program doesn't? Heck, did Andrei have any other programs besides the ones we've already seen? What kind of sudden brat and bully is in first place?

Patience, folks. Next evening, I will reveal the cards and name the winner.
 
Last edited:
It's time! Ladies and gentlemen, this evening we present the AndreOscar for the best production of the 2024-2025 season to Andrei Mozalev! Take your seats, get ready to applaud and weep for the cameras. I hope you haven't forgotten about the dress code, you came dressed nicely, put on your tuxedos or evening gowns, though....

...though the tracksuit you run in the morning I suppose is more appropriate in this case. Let's dress up like our winner.

#1 🥇
Show number “Chernyi Bumer” (Translated from the language of bratva: “Black BMW car”)

Presented at the April show of Eteri Tutberidze's team (for 11 shows).
Choreographers: Eteri Tutberidze, Daniel Gleichengauz
Music: Seryoga - Chernyi Bumer
Image: a comedic little hooligan from the 2000s driving his car in search of adventure and new girlfriends.

Oh. I never thought this day would come, but here I am, presenting an award to the show number, taking it away from the competition programs. It's incredible.

Well, let me explain.

How was this program created? Well, Eteri Tutberidze woke up one day and decided that it was time for Andrei to leave his comfort zone and try on the most unusual image possible. And she immediately decided that Andrei would be given two show programs for the April show: one lyrical and heartfelt, and the other hooligan and fun. The two of them with Daniel Gleichengauz staged the program in a few hours, while having maximum fun, rehearsed and did not expect anything special from it, except for the conditional approval of the audience.



And the program caused a furor and became a kind of event in the world of Russian FS. Why? Well, there are several reasons.

First of all, the effect of surprise worked. Nobody at all expected them to do something like this. As journalist Konstantin Lesik says, “they were able to combine the gopnik (gopnik is a colloquial name for local hooligans, street criminals in Russia) and the aesthetics of figure skating - two things that are as far apart as possible.” And as it turned out in the end, this was something that figure skating in Russia (and not only here) was sorely lacking. After the video clips hit the TikTok, the audience was blown away by how “Russian” this image turned out to be, how close and understandable it was, how much we all lacked something... like that on the ice. This “stereotypical Russian” turned into a archetypical Russian, cheerful, able to laugh at himself. Andrei in this image is compared to Yuri Plisetsky (Russian figure skater, a character in the manga and anime “Yuri on Ice”), that is, to the collective image of the Russian figure skater in general. For many, he has become the embodiment of Russian FS in general. Take the stereotypical image of a skater and the stereotypical image of a Russian and combine them - and you get the image shown by Andrei.



This video has 1.33 million views, which isn't small even for TikTok


The second reason behind the popularity of the number in Russia is nostalgia. The song to which Andrei skates was very popular in those years when he just started skating on the children's ice. Its simple humor and soulfulness makes the audience remember their youth or childhood and loudly sing along and clap their hands. Of course, warm nostalgic feelings ensured the popularity of the program.

The third reason... Hell yeah, it's an unabashedly cool show program, very relatable to the show, exactly what we expect from such programs. It's funny, it's nostalgic, it's full of good humor and subtle irony. It is entertaining, at the same time interesting and witty and does not cross a certain line, beyond which begins tastelessness, vulgarity and clowning (as many humorous show numbers in Russian FS). In addition, they have kept the boundaries and avoided the danger of crossing the line and showing the character too convex and realistic, with the grasp of a criminal from the criminal environment. Andrei's gopnik is light, cheerful, carnival, boyish, mischievous, kind and sympathetic, a ladies' man, his closeness to the criminal environment is shown very conditionally, in a few characteristic gestures. This is not a thieves' romance and romanticization of crime, it is a romanticization of the reckless fun youth, when you can drive around the city all day in search of new friends and honk at beautiful girls.

Let's say it out loud: we lack fun programs (at least in Russian figure skating for sure). We have a lot of cool lyrical programs, dramatic programs, heroic programs, whatever, for any taste. Figure skating evokes a lot of emotions, but not fun. And when there is a really fun program that everybody likes, that makes everybody happy, it becomes a kind of event.

The situation is the same as the 2022-2023 season. Andrei got some gorgeous lyrical programs, but all everyone remembered was his provocative show number that got millions of views on social media.

Well, you will say, but in the season 2022-2023 “Perfumer” in my rating still got silver, losing the championship to “Red Hand”, despite the fact that it was the show program that made Andrei popular.

Why does this program get the gold medal, beating the competition programs?

Well, first of all, “Red Hand” is still a masterpiece (I consider it Andrei's best program to date), and this year's competition programs are just good. They can be moved. And secondly, “Perfumer” didn't really help to reveal Andrei in new ways. This program did.

Let's be honest, when we said out loud or thought to ourselves that we wanted to see a new Andrei, that we wanted to watch him reveal himself in something new and unusual, we thought of something like this. We want him to dance, to have fun, to hooliganize, to try on daring images. Maybe not so daring, and for a competition program it would be too much. But for a show program it is a hundred percent hit. Andrey really stepped out of his comfort zone and showed how funny, light and silly he can be, having thrown off the weight of eternal midlife crisis and philosophical reflections.

It is also important that all of Andrei's virtues as a skater were not forgotten in this program. They managed to fit his smooth rolling movements, his gorgeous spread-eagles and spirals into the rather fast rhythm of the music. Even the choreography was intact. If you look closely, you can see how clearly Andrei maintains classical ballet positions in his goofy, sloppy, and actually extremely well thought out dance. As commentator Lina Fedorova said, “Andrei is the only one who presents a gopnik on the ice and yet carefully pulls the toes of his feet.”

In this program, Andrei was able to appear new and keep himself, his style. Moreover, after creating this program, Eteri Tutberidze decided that Andrei needed a short program in the same fun dance style - and he got a short program to “Everbody” by Backstreet Boys. So they continue to take Andrei out of his comfort zone, continue to take him in new directions, which I really like. And it's all thanks to the fact that they did it well in “Bumer.”

It's awesome. And it's without a doubt number one on my program rankings.


Well, the 2024-2025 season is officially over (actually, it's been over for a while now), with a new season and new programs ahead. I'll meet you in a year to discuss them.
In the meantime, I'll take a breather before posting my ranking of Andrei's costumes. Come on in and read, it'll be interesting!
 
Last edited:


Figure skaters' press conference 08/27/2025​


Answer to a long question about the suspension of Russian figure skaters

Alexei Yagudin:
Andrei Mozalev will answer this complex question.
In terms of structure, Andrei is certainly the right person for the job.

Andrei Mozalev:
I think that those who are just starting to skate now still have a good chance of participating in international competitions.
But those who are skating right now... I feel especially sorry for the juniors, who were just about to reach the international level, the international Grand Prix stages, and now there are no international competitions. I feel most sorry for them.
And they may not get to see (international competitions) because a sports career is not so long.
 
Last edited:


Figure skaters' press conference 08/27/2025
Andrei Mozalev about new programs and goals for the season​


Interviewer:
Andrei, you already mentioned that you are actively preparing for the season. How are you preparing? What programs? Will there be any changes? Can you tell us more about it?

Andrei Mozalev:
The program has already been set. My short program will have very interesting music.

Alexei Yagudin (reply): Bumer.

Andrei Mozalev (laugh): No

Interviewer: it will be today.

Andrei Mozalev: I have something interesting in my short program, something dance-like. For those who haven't seen it, it will be Everybody by the Backstreet Boys. It's something new for me, a new image, and it will be very interesting to see how it turns out.
I hope that I will see support from the audience, that everyone will start dancing with me on the ice.

Interviewer:
And the free program?

Andrei Mozalev:
I can't reveal any details yet. But it's already there, yes. Yes, everything is set, yes. Full preparations are already underway, I'm skating at full strength. But I can't say what it's about or what music it is yet.

Interviewer:
How are you feeling, what are your expectations for the season?

Andrei Mozalev:
I feel good. Expectations for the season... I can't say. Like last season. Nothing has changed yet, there are no international competitions. We will give our all at the Grand Prix (Russia) stages and the Russian Championships.
 
Last edited:
Mozalev. Andrei Mozalev



What a lovely Englishman!
 
Last edited:
New Adult FS Challenge: Get into the Spin like Andrei Mozalev

 
Today is a significant day for all lovers of books and literature throughout Russia. One hundred and thirty years ago, the gifted Russian poet Sergei Yesenin was born, who unfortunately met a tragic death. His poetry is widely known and we study his poems in school.
In honor of this memorable date, I'm sharing Andrei Mozalev's skating against the backdrop of Sergei Yesenin's poems.

 
Back
Top