How amusing, you're trying to argue that the scores are actually accurate.
Chan's scores at 2013 TEB were a joke. Receiving 10's for performance and interpretation for that trite, formulaic thing he put out there. Skating skills, sure. Transitions, very good, but not his best or most difficulty actually. He got rewarded for skating cleanly, for the first time EVER in international competition, while being "3-time" world champ (LOL), and because the judges just throw PCS around like stock shares.
Surya Bonaly's interpretation of 4 Seasons was better than Chan's during the Olympic season. Not the same music cut ofc, but Chan's was so bland either way.
Thankfully, what we are finally seeing THIS season, is the skaters actually taking the music and their movements more seriously. The sport seems to finally be understanding that, yes, what you are doing out there needs to have choreographic purpose and reflect the music, not just be a checklist. What we now need is the judges to actually SCORE the programs correctly to reflect how well the elements are incorporated into the programs, how well the programs maintain a choreographic whole, and the emotion and inventiveness of the movements. The judges are supposed to be police. The competitors will do what is deemed necessary, and trying to create programs and give performances that people actually care about and want to watch is necessary for the sport.