- Joined
- Jul 14, 2007
My greatest hope is that they use this summer to really work on polishing their movements. No matter what music they choose, it's not going to really mean much if their lines aren't sharp, precise, matching, etc. And that's true for any dancer.
I have to agree with this too. Charlie and Meryl could really work on their posture. Charlie has the hockey-player feel about him sometimes, and Meryl hunches a lot too. They would look so much better if they had more of an upright posture like Scott and Tessa. V/M's Malaguena was a mediocre free dance at best, and I just realized a lot of the elements from it were borrowed (one of the lifts for instance), were borrowed for their Valse Triste FD the following season, but boy, they're so good at expressing the music. They're so wonderful at using their arms and their bodies in accentuating every beat of the music, and I just do hope Charlie and Meryl acquire more musicality as well.
About a young boy who can hear music in everyday sounds like wind blowing through grass or traffic noises on city streets. He uses his music abilities to compose music that ultimately brings his mother and father back to him. The story is definitely cheesy but the music is beautiful this mix of dynamic, modern sounds and non-traditional instruments but executed in a classical framework. It reminded me of their skating- a free, rushing modern quality but with a classical feeling about it as well.
That sounds so hokey with me saying it.