I mean, other skaters are still free to practice edges and footwork, no? If a rule like that got instated now, It would simply be an Ilia Malinin penalty- for being able to do something no other skater can do, even if not perfectly. Other skaters are free to accumulate points elsewhere in the current system- but alas, then we get to the dreaded judging that no one ones to mention.
Quite aside from the judging, the Scale of Values and the program component factors structurally make it impossible to make up the difference of multiple quads with non-jump elements.
We've just seen close to the maximum jump score possible with the current jump rules and no quints attempted.
The max will get a bit lower with the removal of a jump element next year, which will change the strategy for those who want to maximize their jump points -- those who are pushing the jump content to the limit (from whom I expect quad-quad or quad-3A combo/sequence among the fewer jump elements); those who focus mainly on triples including triple axel, and maybe a quad or two (mid-pack men, top-jumping women); and those who just stick to triples and are therefore more limited in their maximum jump base value.
The difference between skaters attempting comparable jump content can certainly be bridged by non-jump scores, and by GOEs, especially if the skater with the harder jumps also makes mistakes on some of them.
But if you have basically clean programs by a skater who is amazing on jumps but "just" very good on other elements, skating skill, and artistry, a skater who is amazing on basic skating but just very good on jumps, other elements, and artistry, and another who is amazing at artistry but just very good at jumps, other elements, and basic skating -- the one with the higher jump difficulty will win.
Other elements, GOEs, and components can add up to enough to overcome an extra one or two quads, but not three or four of them. There just aren't enough points available for everything else, assuming that the brilliant quad jumper is also "just" very good at everything else.
Remember, what you might think of as "average" compared to the other skaters on the Grand Prix or in the free skate at Worlds is actually very good compared to the international senior field as a whole, not to mention lower levels and domestic seniors who aren't good enough to get international assignments.
If the system rewards something, skaters and coaching camps will look to add it do their program. Look at that spin exit almost like all the juniors do with the end of the blade. Annoying to look at if not done well, but it gets you a +.
Yes, that is true.
But levels for spins and steps are capped at level 4 for each. The highest-value non-jump elements in a senior free skate are combination spin with change of foot at 3.50 (with or without a flying entry -- it's allowed to do one of each in the free skate) and step sequence at 3.90. So more than a double axel, but less than a triple toe.
For a good spinner, it's possible to be more consistent at earning high GOEs than quad jumpers can count on for their top jump content. Nevertheless, the maximum score with straight +5 GOEs for a spin is 5.25 -- less than just-OK (0 GOE) triple flip.
For level 4 step sequence with straight +5 GOEs, the maximum score that can be earned is 3.90 + 1.95 = 5.85, less than a 0 GOE triple lutz.
And while we're at it, the maximum points a skater could earn for a choreographic sequence is 3.00 base value + 2.50 GOE or maximum 5.5.
There just aren't enough point-earning opportunities available to make up for a difference of multiple quads.
I love great footwork and great spins!
One way to encourage them is to increase the points you can earn for them. Have GOE for spins and footwork have a wider range!
Definitely!
If we really want to encourage skaters to excel in all areas -- and to reward each skater for excelling in the areas they stand out from the crowd, as well as lesser rewards for fitting in with the rest of the crowd at the top, then we should want more opportunities for the exceptional blade-to-ice skaters, the exceptional spinners,
maybe the exceptional artists to push the scoring boundaries in their own areas of excellence in similar ways that the exceptional jumpers are pushing the boundaries not only athletically but also in scoring potential with their jumps.
How to do this is up for debate.
Taking away one jump pass may close the gap a little bit.
So would increasing the factors applied to the program components. Or the factors applied to non-jump GOEs even if the base values stay the same, so the excellent level 4 spin or step sequence can gain more than 1 or 2 points over a just pretty-good level 4 element.
With PCS, finding ways to systematically separate the scores for each component so that, e.g., 9s in a medal contender's best area along with 7s in their weakest area will be more common, when appropriate.
I wouldn't expect to see spreads much larger than that, because basic skating ability will also affect the strength or weakness of the performance. But in theory judges should be encouraged to give wider spreads when they do believe a skater's component skills are noticeably unbalanced in a given performance.
(Going back to the 5 component categories would also make it easier for judges to reflect these differences.)
Meanwhile, Mr. Malinin has also weighed in on this question:
He mostly was asked, and answered, about jumps. But he also had this to say:
"Right now, the jumps are the most valuable elements, so everyone's going to try to master their jumps and they might not necessarily work on everything else just because they might be able to sacrifice it with adding another quad, for example.
But if we increase everything to be a similar level, then everyone will try to work on the spins and the steps and the footwork so that
everything is worth taking the risk to work on it."