Let's Talk, do you know the Russian singer Sergei Lemeshev?
Lemeshev was an icon, what we would call now a sex symbol and a rock star. I don't know what is wrong with the modern Russian opera singers. Some of them are fine and tour internationally, but really just some. The vast majority are singing from their urinary bladders with all intestines out. Maybe for Mussorgsky it might work. But for all the rest is- you should plug your ears. I just tried not to care when I visited Mariinsky, I simply enjoyed the stage, the music, the orchestra, and if I got lucky- the voice. I believe the technique that they teach now is entirely wrong. It doesn't collect the voice in "tube" as a flow, instead of that it goes forced as yelling. But Vaganov's ballet school rocks! Tuesday's Cinderella in Tokyo was lovely, and the Ashton version is full of optimisim and humour. But. It has a long way before it reaches the Mariinsky, and Russian ballet in general, level. I did love Jester's guy (Yahata), with his metal but plastic legs, super flexibility in all body and the presentation that make you believe- he is not acting Jester, it's HIM. Generous costumes and decorations deserve the special "Thank you". But my Gran-Prix goes to the conductor Emmanuel who made Prokofiev music sounds crystal like magic. Real fairy tale on a Christmas season.
And the only time I went to Moscow, Bolshoi building was under construction.
From what I read afterwards, I thought more or less they used
the choreography of Petipa in the classic adaptation no?The one I saw was Kremlin Ballet with guests.
The Bolshoi used to be the prime stage in the USSR times. After the collapse of the country it got stucked in cats fights and dogs fights or whatever. While Mariinskiy was collecting the reachest sponsors in the country like Gazprom. The result is known. I've been to Moscow enough but visiting the Bolsoi was my last entry on the list. Still, it's a much better stage of a classic ballet than any other worldwide (besides Mariinsky).
On your photo it does look like the classic Petipa version of Sleeping Beauty. But I was referring to the very original version of Petipa (the one where I almost fell asleep), what they called revival of 1890 production. I mean you might have seen a Petipa verison but a more updated one, adjusted to the modern ballet. Or whatever. I wasn't there. In general I am much more interested in classic ballet (not SB of 1890 of course

). Yet there is one non-claasic ballet that hooked me- the "Russian Hamlet" by Boris Eifman. It's available on youtube. Quite an unusual thing. Well, you just should see it to have an opinion.
My conclusion is always one and the same- on Opera&Ballet stages Italians, Russians and Wagner RULES!!! All the rest are just visting.
