https://www.youtube.com/watch?v=1pXKM61INBo Watch this from about 0:35 to about 0:55. This shows where that three-jump combination is choreographed. In the practice skate she slipped on the first jump of the combination, so she didn't continue into the combination as planned. She then arbitrarily placed it later for practice purposes, where it had nothing to do the music.
I agree with you, this combination interrupts the flow of the music. But there are times when the music breaks its momentum and rests.
I praise Yulia for many reasons, but for me her ability to integrate complex jumps without disrupting music is unique. Play the video again, this time from the beginning (0:11), and listen to what happens in the music going into that three-jump sequence. The music starts with the introduction of two phrases (the second where she "awakens" lifting arms and head), and next we hear a melody that hesitates like first love (0:20 where the announcer starts talking). Coming into 0:45, the melodic flow is interrupted with a new melody that sounds more determined (0:35) and then gently rests. So she chooses to accompany this with those obligatory jumps which interrupt and slow momentum, thus bringing us gently to rest visually. Once again, Yulia is the music. If you go a bit further in the linked video (from 0:49 to 1:24), you will hear the hesitating melody repeat and flower, it gathers strength and momentum. The planned salchow at 1:05 (here failed) is a quick jump that doesn't interrupt this flow, so it is choreographed into the middle of the section where there is no break in momentum and where feeling builds. As the music slows toward the cadence, again with the melody of determination (at beginning about 1:11) Yulia once again slows visually with the spin, the visual equivalent of the music coming to rest. Then begins the magic flickering section of great beauty, which she interprets exquisitely as footwork. But really, who could seriously describe her total body involvement as mere footwork?
Yulia is always faithful to the music. She choreographs any spin or jump that will disrupt musical flow into sections where the music also slows and rests. In this way she draws attention to the structure of the music by marking off its sections, while at the same time shaping the sound we hear with her body. She always wants to tell us something important about what we hear, and does that whatever the physical challenge. She is great.
she's so fast and light. Perfect ballerina body too. I met Ksenia 
my gift for Yulia is for tomorrow. 
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congrats to Yulia! great SP again!
