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I think this would be the season to re-use her FS, she's only used it twice in Top-level international competitions, Skate America. And re-using the long program would give her and Alexei more time to work on her technique.
One of the things that really surprised me in this interview was that Yulia said when she as training under Eteri they only did choreo with the group and all the physical training had to be done by each athlete on their own. In Sochi it is basically vice versa. Also she said that her muscle core was very weak when she started to work in Sochi and that her legs are really weak too. I just started to wonder how she even skated without proper physical training, most athletes do not last long if they can't handle difficult content programs.
That's an amazingly interesting interview! :agree:(sorry that I have literally no time to translate now...:scowl
EDIT: some extracts from it are already translated here - http://www.fsuniverse.net/forum/ind...sia-with-love-22-winter-2015-16.97406/page-30
Thanks for the links!

One of the things that really surprised me in this interview was that Yulia said when she as training under Eteri they only did choreo with the group and all the physical training had to be done by each athlete on their own. In Sochi it is basically vice versa. Also she said that her muscle core was very weak when she started to work in Sochi and that her legs are really weak too. I just started to wonder how she even skated without proper physical training, most athletes do not last long if they can't handle difficult content programs.
There was an interview with the choreographer Ilia Averbukh who created this program- he clearly stated that that LP choreo was done for Yulia.Wow, that's the first time I've seen clear confirmation that Evgenia's programme was meant for Yulia. I mean, there has been a lot of speculation, but she just said it outright.
Also, that's the first time I've seen confirmation of the atmosphere inside Eteri's group.
Best of luck to Yulia. It seems like she has such a good attitude towards what she's doing/her life now.
There was an interview with the choreographer Ilia Averbukh who created this program- he clearly stated that that LP choreo was done for Yulia.
I can get his feelings. I mean he doesn't do tons of choreos for competitions so that piece was special for him. But I also can get the Yulia's hate towards the music piece, if you can't stand hearing it all over and over again then it could be a nightmare to skate to it.Well, I hadn't seen that. I don't really manage to follow everything. I'd just remembered that Yulia had rejected a programme sometime in the past and Averbukh got annoyed.
I think the "only choreography training" strategy only works for prepubescent skaters. When puberty hit them and their bodies start changing, they need proper physical training. I think Urmanov' approach is right in this case.One of the things that really surprised me in this interview was that Yulia said when she was training under Eteri they only did choreo with the group and all the physical training had to be done by each athlete on their own. In Sochi it is basically vice versa. Also she said that her muscle core was very weak when she started to work in Sochi and that her legs are really weak too. I just started to wonder how she even skated without proper physical training, most athletes do not last long if they can't handle difficult content programs.
I can get his feelings. I mean he doesn't do tons of choreos for competitions so that piece was special for him. But I also can get the Yulia's hate towards the music piece, if you can't stand hearing it all over and over again then it could be a nightmare to skate to it.
I think the "only choreography training" strategy only works for prepubescent skaters. When puberty hit them and their bodies start changing, they need proper physical training. I think Urmanov' approach is right in this case.
Yeah. Well, he got to use it after all, so it wasn't wasted effort. I guess a lot of the negative feelings results from poor communication (it usually does). But then, we can't really guess what happened. Strange as it may seem to us (due to some of the music choices for skaters... badly spliced together, horrific vocals), I think skaters probably all love their music! But sometimes it can really be difficult to imagine, lol.
I would hope so, considering the amount of hours they have to practice and the effort to put feelings into a performance would be difficult to do if you hate the music.

Her comments about the training in Eteri's group are pretty shocking...Eteri deals mainly with students that are kids/young teens, without proper guidance on physical training they are going to be more subject to injury and it's easier to not train as hard if you have you are responsible for your training vs. something structured with a coach/instructor with you that is going to push you.
Yeah. Well, he got to use it after all, so it wasn't wasted effort. I guess a lot of the negative feelings results from poor communication (it usually does). But then, we can't really guess what happened. Strange as it may seem to us (due to some of the music choices for skaters... badly spliced together, horrific vocals), I think skaters probably all love their music! But sometimes it can really be difficult to imagine, lol.
And then I switched to Urmanov... I thought they were hiding something
Last November Alba supplied this soundtrack from the movie Perfect Sense, which may have been the source of the music she didn't like: https://www.youtube.com/watch?v=WjWqWDtHHH0&ab_channel=VitomirStanisic You can read more about this (p. 572, post 8575). Medvedeva uses different music. Yulia prefers lyrical music with contrasting melodies, lots of feeling, usually rather sad. This music has none of those qualities, I'll leave it at that.
Oh, but from the interview it sounds like Medvedeva is using the same music that Yulia didn't like. But Yulia doesn't feel resistance to it any more because it's not her music. From the translation on fsuniverse, "When Evgenia started skating to it I thought it would annoy me hearing the music on the rink, but that didn't happen. Guess subconsciously I knew it was not my music anymore and I didn't care about it."