I read one of your comments many pages ago (I think/hope it was you:think

and it was nice to find a Mansai fan here. I'm not a huge fan, but I do appreciate his presence on the stage (I haven't seen his kyogen, but I've seen him live a couple of times). I would love it if Yuzuru and Mansai could meet if they haven't already. Mansai has been performing on the stage since he was 3yo so I think they could have a lot in common.
Yuzu and Plushy clearly really stand out of all the skaters…
Yes, it’s me. You have a good memory! Yuzu has the chance to absorb his work of art at this point of his competition skater life. It’s meaningful.
NHK.

Good luck to everyone trying to get a ticket.
I’ve almost despaired of NHK ticket…
Kinda a little sad he's not doing Skate America. But maybe if I go to Worlds I'll see him!
It’s a bit sad for you. How will you give your lovely knit hat to yuzu? I hope you can before winter season.
(Lucky you! I’d love to go to WC!)
In the interview:
"Do you think the character Onmyoji fits you?"
"Yes, I think I may be that type. I'm sort of slightly-built, or, apparently I'm not a Samurai type.... I may be able to do Onnagata, haha.."
Onnagata (or Oyama)
https://en.wikipedia.org/wiki/Onnagata
You also have noticed that part! Actually, when I saw him at Makuhari FaOI, two weeks ago, it felt like he was an Onnagata in that Believe performance. As I told, I’m a sucker for Japanese traditional performance, so I’m familiar with them. His flexibility seemed to increase. And that soft atmosphere like a feather was beyond description.
Apart from that, I thought his overall body movement came to have some “pause or timing”. (I want to say, “間”, but I can’t turn it into English properly…) I guess his experience to watch tons of images of traditional performance in choreography of SEIMEI had affected his performance in a good direction. Japanese traditional performance most focuses on suitable pause or timing.
Anyway, the theme of a Sharman with supernatural powers or somewhat is much more difficult than “Geisha” (“SAYURI” Nakano Yukari), “Samurai” (“Last Samurai”, Nobu) or the like. It might not be easy subject for audience to understand. But he can do it well in the end. I hope so.
I remembered the compliment of Philip Mills to Machida, He said Machida was the best student for him above Kuwan. That’s because “He(Machida) was willing to let me push him out of his comfort zone, and I really appreciated that." I think about what it means to get rid of his “comfort zone”. I feel like this program will bring him a kind of drastic change in some aspects, especially, in his expression.