- Joined
- Feb 17, 2010
Kaetlyn is the class of this field and will win if clean (i.e. brings the form she displayed at Worlds). However, she is nowhere as consistent as Evgenia, so any of the other contenders could win if Osmond makes errors.
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saw Anna jump a beautiful 3-3![]()
....oh, I can't wait till to-MOR-row, oh, can't wait till to-MOR-row, oh, can't wait till to-MOR-Row .....
I've been looking for an On-Site Report Thread! thank you!!! Is Ashley in Anna's practice group, how's she looking?
What happened to Sotskova? Is she even in Canada?
There is live streaming for practice on SC site and Dailymotion. Check TV & livestream thread. Dancers are on.

She is, but she didn't skate at that practice.
Ashley looked good, during her runthrough. She didn't jump though.
Was Wagner even attempting to hit level 4 on those spins? She had the weakest spin. She need to atleast add 2 rotations pee positions
i think Kaetlyn almost a certain win unless she bombs badly. judge will give her 9s across the board in PCS and +2/3 in GOE of her jumps (if triples are clean) and non-jump element. CoR overscoring was already quite bad, i don't know what to expect here tbh. i hope all skaters show their best and skate clean!
How is Alaine Chartrand looking? With Kaetlyn and Gabby doing so well at Worlds, I feel like she' faded from the spotlight. It would be nice see her skate well here.
Lust, Caution is a great film, though emotionally deviated significantly from the original writing, it's really inappropriate for a young skater. The story began when the amateur agent-to-be was in university in her early twenties and continued three years later. The sex scenes are central to the movie story accounting for the emotional progress and deviation from the original story and from the young lady's intention. As well, the music lacks obvious variation and highlights and is very difficult to interpret.
I really don't see how it may be right for Karen at her age and skating maturity.
eta. This is really another case of a totally "innocent" piece of music used in a movie and becoming associated and representative of a story, consequently prohibiting free interpretation of the music on its own for skating.
It is one of the few woman empowering war movies despite the obvious dire circumstances. She can either chose to be a victim, chose to be daring and voyeur, chose to sacrifice herself for the greater good, or really at the end was it a choice at all? Was she lost? Was she found? Did the end justify the means? When you think of the female protagonist in Carmen, Geisha, Butterfly, Saigon, they have all been more of a straightforward victim of circumstance/times roles from a patriarch view, and really these material are not appropriate for most young skaters either. Yet we get plenty of those.
I'm really enjoying reading your discussion of this film. What's the music, and what's it from, before the film? Or was the music written for the film?
I'm really enjoying reading your discussion of this film. What's the music, and what's it from, before the film? Or was the music written for the film?
It's in Canada! I've seen enough competitions in Canada to know Kaetlyn has the gold, the rest are fighting for silver.
.It's in Canada! I've seen enough competitions in Canada to know Kaetlyn has the gold, the rest are fighting for silver.
As much as I hate to agree with a prolific Mirai basher, Chuckm is 100% correct here. [IN REFERENCE TO]:
SC is always a gimmee for Osmond as long as Medvedeva isn't on the entry list. She has an adoring audience on her side ready for her standing ovation. That never fails to sway the judges.

No shade against Osmond from me, I think she's among top 5 in the world, a terrific skater. My shade, having observed in person a couple of Skate Canada competitions and part of the London Worlds; is more against "home cooking". I saw 3 fall Chan win Worlds over a relatively clean D10, a very sloppy Chan win a close decision over a sloppy Hanyu at SC last year, or Vittue/moir returning from a 2 year layoff to edge Chock/Bates by less than 1 point last year. Whenever the competition was close, the Canadian always seemed to edge the competition. I expect no difference in the SC ladies this year. If Osmond is close to Pogo, Maria, or Wagner, I expect Osmond to come out on top.
Yes, that is why I expressed in a few years time! (at least 3 more! 21+) It is going to be a huge challenge for anyone to do it justice, and I doubt the member of the Chinese team will risk it due to the politics of that film. I do love the music though, it is rich, lush, dark, complex, intriguing, provocative yet pure. At the same time, there's this overall haunting melancholy hopelessness, inevitability build up (Desplat speciality). The skater needs maturity, sensuality, sensitivity and most of all empathy, to bring the 'torn' and 'conflict'feel. It is one of the few woman empowering war movies despite the obvious dire circumstances. She can either chose to be a victim, chose to be daring and voyeur, chose to sacrifice herself for the greater good, or really at the end was it a choice at all? Was she lost? Was she found? Did the end justify the means? When you think of the female protagonist in Carmen, Geisha, Butterfly, Saigon, they have all been more of a straightforward victim of circumstance/times roles from a patriarch view, and really these material are not appropriate for most young skaters either. Yet we get plenty of those.