Here are a part of Mr. Alain Goldberg (French CBC) comments:
it's the setting of the atmosphere - excellent
Big skating: it's the passion alive...the sliding and know-how... tremendous
and here ... the speed probe
voltes-the speed ... excellent for the first (volte), the second: yes!
bravo, bravo!
the combined rotation: nice position, beautiful arabesque...
the seated rotation: interesting...the dress that twirls in the wind gives a very beautiful impression...
Acceleration ... excellence...excellent skaters!
The curves... the last one, actions and angles at the limit of the possible and above all, excellent gestures in cohesion with the music...
ultra-fast speed, fantastic, very very beautiful...
nice stationary lift...
very, very good performance, faultless...
they have really acquired maturity in gesture, in their skating, really possess their souls...
When people leave the junior range... yes they have know-how but...the maturity that they have in the gestures, in their expression, in the harmony with the music are coupled
And we feel through the gestures of her hand as if it
calls on the public, the viewer to come and watch and we can only marvel at the elegance and grace of the movement...
The choreography research has been pushed to the extreme... there is no taste fault in the harmony between the two skaters, no choreography fault ...formidable choreography!!
In the past... they always had very fast, dynamic music to mask this know-how that they didn't yet have, but now, they have this know-how and it's close to perfection... and then it's a matter of joy, taste and appreciation from the part of the judges.
look...how she falls backwards...and the expression on her face
Bravo, bravo, formidable...in whatever place they will be.