I was at Montreal's worlds. His was at the peak of his skating in terms of technical content.
The crowd was shook when he landed the 4axel. However, the program only worked because he landed all these big jumps replacing choreography. In the last 30 seconds or so, he got alive and performed. He is not my kind of skater nor performer but he was genuine. But that's the problem... it was interesting for the quads and outside that, just for the last bit of the program. I appreciated him winning that day. He deserved it. However, I enjoyed Adam and Yuma much more . Yesterday showed that without the firepower, his programs just cannot work. So he has two options : he lands his jump content, whether it means less quads or different layout it's up to him and his team.. but he needs to be stellar technically. His other option is to take a short break from chasing new combos and new records and go deeply into edge work, choreography, flow, turns, etc. I would even suggest he explores self-choreographing (freestyling) on warhorse music (with story telling). I'm not saying that he needs to skate to such programs but the exploration of what his body and blades can do to music that is actually lyrical and charged with narrative content may help him discover another path of expression.
Just my thoughts of course.