My impression is that Russia (the fed, the influential people) found a way to win big competitions in a certain way, and then commentators and pundits and everyone started to talk over and over how this is what is most important in skating while the other aspects are just bigot coping mechanisms of the losers. And after like 20 years people do not just believe this, they are also simply not seeing the other aspects of skating - because they are not trained to look at and recognize them.
Maybe I am a Russian speaker, but I am perfectly fluent in English, thank you very much. English is easier for me than Russian, btw. I can't write in Russian and it's so rusty, i don't understand new lingo and i can't express myself in Russian withiut it feeling clumsy and unnatural.
Most of all, I effing resent your implication that I am brainwashed instead of making up my own damn mind.
I listen to Ted far more than any other commentator. Until this year, i didn't listen to Russian commentary at all, because while Grishin is great, TAT and Yagudin are toxic. I love what they did now, with Kolyada and Tran'kov and Tikhonov and Katsalapov. I also loved Medevedeva, despite most Russian fans not taking to her as a commentator. I never listened to Chris which was the English speaking commentary in seniors until Mark came along. Mark is okay, but I prefer Ted.
20 years? What 20 years?
I only started watching skating in 2018. Damn, figure skating was fun back then. Chen ruled with 5 quads and Trusova burst at the scene after Zagitova's gutsy win at the Olympics.
I didn't even watch Russian competitions before pandemic when Russian Cup was the most available, as well as JGP. And that was what I loved when I started watching skating. Chen, Trusova, Uno, gutsiness, quads, drama, feels. I loved it when Samarin was telegraphing his gigantic 4Lz3T and getting over 20 points for it, because it was cool. I am not blind, I know we don't love Samarin for his knees or his musicality. God forbid, no. And how Trusova shook up the stale world of women's skating? Give me that! Give me the next Trusova! Instead, I get spirals and doubles, like it's 1983 again.
What's cool should score cool points. Huge cool points. And it was taken away from me by the revisions to the scoring system.
I loved that far more than Yuma Kagiyama or Satoko Miahara or Jason Brown's style 'perfection'. The are boring. Snoozefest. They had always been boring. With or without the commentary extolling their incredible vurtues in any language. I don't care what edges and knees they have. And when I want to watch edges and knees, there is ice dance for that.
Singles are for the fits of dare do and youthful energy and pairs are for insanity and the best teamwork that gets you something out of this world.
How, just how Malinin's 4A and other jumps don't get the credit they deserve is annoying to me personally, no matter that the commentators sing about how he should fix his something or another I can barely notice or care about when the guy has just landed 4A.
The last quad.
Something nobody else did.
Or some insane combo that's amazing. Like his 3A sequences? Yeaaah! And he gets less for it than a guy with a ratty triple-triple?
Screw that, I am out of here and i am tuning out the commentators' blah-blah-blah.
And I always felt that judging in juniors was more fair, back then and now. And I dislike the way the skating judging is moving toward fudging scores in favor of boring stuff and boring skating. Knees and edges are good to have, but a skater with knees and edges shouldn't have to fall 3 times for a clean guy with slightly lesser knees and edges to have a fighting chance. That's just imbalanced to a crazy degree.
Also, hell yes, I want upbeat and passionate music, with far, far more national variety and time period represenation, not dentist office-like Bolero or 1000th rendition of Ave Maria or Schindler's List.