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And about the artistic - some people call him simply boring. And I can understand that, though I personally have a different opinion. Jeff was incredibly subtle as a skater. There was nothing really outstanding, no Joubert jumps, no Lambiel spins, no Takahashi footwork... I think you really have to love the subtle in order to enjoy Buttle, who was incredible in capturing every nuance of the music. He was like a harmonious impressionist painting from Turner. And hey, and not everybody loves those.
Where exactly did Chan say HE is better than Yagudin or Kulik? He merely stated a fact, which I don't see why anyone would disagree. The non-jump elements today ARE much harder than they used to be, which is a natural result of skaters trying to max out their points under CoP. So what's wrong with pointing that out?? And I don't believe he singled out HIMSELF as doing everything better than the past greats; in his comments he used "our" or "we", which I take to mean the entire generation. And I am pretty sure these comments are a direct response to Joubert's sentiment that the sport is technically regressing. In the sport's defense, Patrick is trying to point out to outside observers that figure skating is evolving in everywhere else, even though the jumps may appear "less exciting" to some.
Interesting opinion. I just always thought that Buttle's smile is just part of the Buttle-package, just like Joubert's frown and Ando's bored facial expressions.I see it completely differently about Buttle‘s artistry.
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Buttle, Abbott, Savoie they all have similarities in that way, to me. And their acting is very clear but not so deeply impressive to me.
Subtle to me is much deeper. It’s just personal taste.
However, I really admire Buttle’s beautiful posture and form.
When I think acting - I think Yagudin, Contesti, Candeloro, Préaubert to some extend.
Doesn't get my hopes up. He did the same in Helsinki, the nerves got the better of him in the free (is that idiom correct?).out of subject, practice reports say that joubert jumps 4S and 4T-3T with ease.
I believe jourbert did indirectly attack him. He stated that he believe Evan to be his main competition because he had a quad. Now I think it a very disrespectful to dismiss the GPF champion and the guy with the highest score (because they haven't peformed a quad) and pick Evan as his biggest threat(who might not even medal).If that is not a personal attack of some sort, I don't know what is.
I wish chan and brian good luck.May the best man win.
And what the heck is Kulik doing in Chan's reasoning (or should I say immature rant?)? Kulik, the man who did his jumps out of nowhere with incredible ease and height. Kulik, the man who had, in my opinion, the best spread eagle into 3A ever, and not a 1/10-second spread eagle like Mroz or Lindemann but a really long beautiful spread eagle into a perfect 3A. Kulik also didn't have front-loaded programs - just look at the Aladdin program, he was only 18 back then - but I find that program very entertaining and despite the different expectations concerning footwork and spins not at all empty. Notice the spin at the beginning where he incorporates the music and the story into the end of the spin. The second to last jump was a Triple Axel in that program.
Hurray for the Kulik love! ITA on Kulik's magnificent triple axel--I was completely stunned the first time I saw him do it. Or actually, whenever he got up into the air at all.
I agree with what you wrote, but i would also add in that the technical side of skating is not just the jumps - it's also spins and footwork. When you look at technical as being the jumps, spins and footwork together I think Buttle had great tech.
Ant
I think you do have a point and sometimes I do also find myself thinking that jumps should be rewarded more, or at least, failed jumps should be rewarded much less (such as in the case where 3 triple jumps won a certain major NationalsHah! Watching ice-dance made me realise why I am actually with Brian on the "Quad is important"-wagon. Though I don't think he should have won last year, or spoilt Buttle's moment.
The thing is - the way Chan wants men's figure skating to be, it would be more like ice-dance than like men's single skating. And the trend has already started. Just look at the short program protocols last year, a quite big number of men do the exact same jump content: 3A, 3-3, solo Triple. Lots of men landed this. But then there were sometimes 20 points difference between the skaters who landed the same stuff - and I really asked myself back then: is the difference between Obscure European Skater No.37 and Jeff Buttle really more than 20 points? Just like in ice-dance - everyone does the same, and it's only about the tiny differences, or simply about reputation / lobbying.
I rarely watch ice-dance, because of this reason, because I can't really see any differences between No.2 and No.8. I don't want men's skating to turn into that.
And I don't know what Joubert thinks - but I could imagine that he meant that when he said that Worlds 2002 was so much more exciting to him. The Top 5 to 8 tried Quads in SP as well as LP. At least two Quads were necessary in the LP. How many men fell in the SP on the Quad and didn't have any chances for the rest of the competition? The results could be a lot more obvious, clearer to the audience, to the skaters.
Someone said, or someone wrote in an article this season: there already is a skating discipline that is all about edges, footwork and intricacy: it's called ice dance.
But I'm not really sure what you are getting at here. Did you mean that you would rather the difference between each skater's performance be the kinds of jumps they land, or maybe, the number of quads they land, rather than the difference in footwork, transitions, spins etc? How's merely following Joubert's suggestion of placing more value on the quad going to help singles skating become more entertaining?
Also, just because Chan embraces development in all technical aspects of figure skating, it doesn't mean he is going to neglect the jumps. Many of us are aware that he is still working very hard to make his 3axel consistent and is planning on getting a quad for next season.
Frankly I think it's ridiculous to suggest that skaters should stop focusing on their non-jump elements "because it's going to turn singles skating into ice dance". If a discipline can wonderfully integrate the great aspects of other disciplines, what is wrong with that? Are you going to tell ice dancers to stop dancing to all these adapted-for-the-ice ballroom-style dances because we already have ballroom dancing as a separate sport? And what if a skater wants to skate with good edges and beautiful footwork AND do the exciting triple jumps? You think we should tell him to make up his mind and choose one thing over the other?
...run his mouth. He's in a country that lets him. I think it's a good thing, cuz now we know what HIS personality is like! I'd like to talk to him in about 10 years and see what kind of cha-ching his skating earns him. There's nothing wrong with sticking up for your buddy Buttle, but it goes all wrong when you have to resort to making one guy look good by trying to make the other guy look bad. End result - Chan comes off sounding like the one who is not so sportsmanlike. I've met Joubert and I know some folks who have spent a lot of time with him. Not once, did I ever hear that he was a snot or a jerk. Now Chan, on the other hand, seems to be starving for attention.
I'm not calling Chan a snot or a jerk, I'm simply saying that I think Joubert has been unfairly portrayed by Chan, nor am I saying that Chan is not essentially a nice guy. What I am trying to illustrate is that, in my opinion, Chan appears to have gotten caught up in the moment.