Seriously, however, if the outcomes of the past performances (whether it is last season or SP) affect PCS so much, I wonder what the PCS criteria are really meant to be for. If they have to rely so much on the past outcome and reputation, it is almost like saying that the judges cannot assess what is skated here and now.
Really want to know more about PCS (Program Component Scores)? Below are the definitions for the PCS which have nothing to do with what jumps or spins a skater does in their programs but really have to do with how they do their "in between the elements" and leading up to their elements.
"Skating Skills
Definition:
Over all skating quality: edge control and flow over the ice surface demonstrated by a command of the skating vocabulary (edges, steps, turns etc), the clarity of technique and the use of effortless power to accelerate and vary speed.
Criteria:
Balance and rhythmic knee action and precision of foot placement
Flow and effortless glide
Cleanness and sureness of deep edges, steps and turns
Power/energy and acceleration
Mastery of multi directional skating
Mastery of one foot skating
Transitions/Linking Footwork & Movement
Definition:
The varied and or intricate footwork, positions, movements and holds that link all elements. In singles skating this also includes the entrances and exits of technical elements.
Criteria:
Variety
Difficulty
Intricacy
Quality
Performance/Execution
Definition:
Performance: is the involvement of the skater physically, emotionally and intellectually as they translate the intent of the music and choreography.
Execution: is the quality of movement and precision in delivery.
Criteria:
Physical, emotional and intellectual involvement
Carriage
Style and individuality/personality
Clarity of movement
Variety and contrast
Projection
Choreography/Composition
Definition:
An intentional, developed and/or original arrangement of all types of movements according to the principals of proportion, unity, space, pattern, structure and phrasing.
Criteria:
Purpose (idea, concept, vision)
Proportion (equal weight of parts)
Unity (purposeful threading)
Utilization of personal and public space
Pattern and ice coverage
Phrasing and form (movements and parts structured to match the phrasing of the music)
Originality of purpose, movement and design
Interpretation
Definition:
The personal and creative translation of the music to movement on ice.
Criteria:
Effortless movement in time to the music (timing)
Expression of the music’s style, character and rhythm
Use of *finesse to reflect the nuances of the music
* Finesse is the skater’s refined, artful manipulation of nuances. Nuances are the personal artistic ways of bringing subtle variations to the intensity, tempo, and dynamics of the music made by the composer and/or musicians."
That is why Jeffery Buttle and Stephane Lambiel got high PCS marks even when they blew jumps.