Monuments Men was outstanding.. an ensemble cast, one could be forgiven for not recognizing certain actors ... the characters they played took center stage..
Hugh Bonneville is an actor that I always recognise, ever since I watched the BBC series "Bonekickers". I even have one of his lines from it listed in the "Favourite Quotes" section of my Facebook profile:
"Don't mess with me - I'm an archaeologist!"
And as for John Goodman, who wouldn't recognise Fred Flintstone!
I really should have recognised Cate Blanchett as well, though.
I am awful at putting names to faces. Whenever I watch "Pointless" and they have a picture round of famous people, I am hopeless. Although, I still reckon that they deliberately select really bad photos of the people, so that the players don't recognise them, and hence there is less chance of having to give money away. (It is the BBC, after all!)
But, I am getting good at identifying people in films from 60 or 70 years ago!
That is my problem. Apart from children's films and films that form part of a series that I have watched since I was a youngster ("James Bond", "Star Trek", "Star Wars", "Transformers"), it is very rare that I watch films that were made in the past 10 years or so. Films nowadays are too reliant on wowing you with special effects, and that isn't my taste. I want proper stories, with proper characters, and preferrably a comic element. That is "comic" as in "comedy"; not "comic" as in "comic books". (Oh, don't start me on the way that comic book films have taken over in recent years!

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The many facets of Sir Thomas Moore are well documented in film, the best and most close to reality being Wolf Hall .. In A Man for All Seasons he is seen as hero almost without flaw.
That is something that always amuses me - when you watch multiple films on the same subject, and the characters are portrayed in different ways. In the early months of the pandemic, there was one time when I watched three films about Cleopatra in the space of a couple of weeks. There was “Caesar And Cleopatra” (1945), “Serpent Of The Nile” (1953), and “Antony And Cleopatra” (1972). And it was amazing how the personalities of 3 main characters differed from one film to the next. For the record, Vivien Leigh was my favourite Cleo. (So sad about the things that were going on in her real life at the time of filming, which led to her portrayal of Cleo changing dramatically mid-film).
Thanks for the recomendation for "Wolf Hall". I had a look and at the moment you have to pay £13 to Sky to watch it.

But, I will keep an eye out for it being repeated somewhere (there have been so many people complaining over the years that the BBC repeats too many things that now they tend not to repeat anything. Which is a real shame, when you consider how many good things they have shown over the years).
I saw the film in theater when it was first released and that image of the man stayed with me for decades up to the point when, on my first trip to London I stood on the small brass plaque in the floor of Westminster noting the spot Moore sat during his trial.. gave me shivers.
Cool that you got to see the plaque. I visited the Houses Of Parliament on a school trip when I was 11. We did go into the Westminster Hall, but I can't remember what exactly we were shown (it was nearly 25 years ago, after all!) Here's a random confession - I have a real thing against standing on plaques, gravestones, etc. that are on the ground. So, you can imagine how I felt when we went into Westminster Abbey and the whole floor was gravestones! We gathered around the Tomb Of The Unknown Soldier for a talk, and then were allowed to wander around a bit. But I didn't go any further, as I felt uncomfortable walking on gravestones. I know, I'm odd. And given that I haven't been back to Westminster since, I missed out on seeing things because of it.
Yet, A Man for All Seasons contains the Devil And The Law speech .. not sure if Moore ever spoke the words but they are inspired..
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When watching that scene, I too had my doubts as to whether he actually said it. Let's face it, who would know what anybody said in small private meetings like that back then. But, it made a good scene!
That's the problem with any film made about real people. If you keep to the things that just happened in public, it doesn't leave the filmmakers with much to work on. They need private things to flesh out the story. But, it is nigh on impossible to find out what happened in private, so the writers need to make it up. And then you get situations like we are currently getting where people are complaining about how the members of our current Royal Family are being portrayed in fictional scenes in these series and films that are around at the moment.
I can tell you something - I am going to be keeping my eyes out for more films about Henry VIII and his wives. As I said, I didn't learn about this when I was at school. All I really knew was the rhyme about what happened the wives ("Divorced, Beheaded, Died. Divorced, Beheaded, Survived"). I knew Catherine Of Aragon was his first wife, but I couldn't have told you where the rest of them fitted in. But, after watching those films, I now have it registered in my head that Anne Boleyn was the second wife, and Jane Seymour was probably the third. (Boys, but she didn't look like she was around for quite that long when she was in "Dr. Quinn, Medicine Woman"!

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And on that note, I think I'd better go.
CaroLiza_fan