An Ice Brave feature on Number Web, specifically about the relationship between Shoma and Stephane that was discussed in their separate interviews after the first show of Special Edition in Yokohama:
Also a nice free article summarizing Shoma's full interview (that was under paywall) about some programs in Ice Brave:
まさに、宇野昌磨の第二の人生が始まったといえるアイスショーだった。昨年6月に「Ice Brave」が愛知で開幕し、11月の京都公演からは「2」に、そして千秋楽の新横浜公演は「Special Edition」(1月30日~2月1日)と、内容を変
number.bunshun.jp
Reflecting on the show: “It turned out exactly like the show I had imagined. From 1 to 2, and then in the Special Edition, Stéphane joined again. In my own way of seeing it, I think it gained a sense of story. It became something like a summary of the past year—filled with gratitude and with the path I’ve taken so far.”
Skating Gravity with Stephane: “The timing I used when I was competing was very different from Stéphane’s. It was so different that I worked hard to match him. Since this piece was created by Stéphane, it made me realize, ‘Ah, this is how he originally wanted the music phrased—it wasn’t there.’” (laughs)
On the new ice dance program with Marin: “Since this was the final stop of
Ice Brave, I wanted to raise the level one more step. Compared to
Wild Side, there are fewer single-skating elements that we’re used to, and more ice dance elements. Even though we’re beginners in ice dance, we didn’t want to go easy on ourselves. We packed the program with things we couldn’t do yet so we could grow as skaters."
“The piece itself is about four minutes long and very demanding.
Wild Side was more show-like, but this time we wanted something with tension closer to a real competition. The moments that feel most amazing are when our timing lines up, when the speed builds, or when a big lift works. We pushed ourselves to the absolute limit of what we could do.”
On his Michael Jackson EX program: “Actually, Michael Jackson was something I was really bad at. I started going to dance lessons during the ice show rehearsals, and that was really important. Also, Tsune-cchi (Tsunehito Karakawa) practiced with me until late at night—so much that he turned pale. Learning from him helped a lot. I feel like I’m gradually expanding my repertoire.”
“When we practiced this song, even the people who weren’t originally in the number started memorizing it. When I asked Rika Hongo about it, she said,
‘I want everyone to perform it together.’ We connected that feeling of fun into the show itself."
"Back when I was competing, feeling that something was fun helped me grow a lot. So I think when a performance is serious but also fun, the audience can feel that enjoyment too.”
On the future: “I definitely want to do another show."
"Even during my competitive career, I wasn’t the kind of person who carried everything alone or felt like I was carrying Japan on my back. In an ice show, it’s important to improve things I can’t do—but there are also many staff members and performers. So when there are things I can’t do, I get help. I may be the main performer, but I want it to feel like everyone stands side by side, carrying the show together. I want to create an ice show where everyone enjoys themselves and everyone shines.”
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Also a little bit of the first program Shoma spoke about in the interview: