antmanb said:
I think (Plushenko's) presentation scores have always (even under 6.0) been totally over inflated - his style, as i said before, leaves me cold and i wouldn't call what he does choreography....i'm willing to back down somewhat since i've heard people with similar attitudes to my own see him live and say that his command of the ice and security on his edges changed that for them.
Count me in with the "see him live!" crowd. I have had a chance to see him compete in the Marshall's Invitational in Detroit three times. When Evgeni takes the ice, he is a man among boys. (Plus he seems really nice, which ought to be worth a couple fractions of a point in the PCS scores right there.

.)
To me, the same is true of Irina. Michelle is my favorite and I always hope that she will do well. But the two times I saw her and Irina compete head to head, Irina was the clear winner.
I don't think it is either jealousy on the part Kwan fans or anti-Russian sentiment in the U.S. that drives criticism of Irina. I think her biggest problem is that the things she does well do not show up on television, while that medium exaggerates her flaws. On TV, you rarely get a chance to see the skaters edges, and you can't judge the power of their stroke, their speed, or their coverage of the ice. These are areas that Irina excels at.
In contrast, Sasha is a made-for-TV skater. Above the ankles, she is just a gorgeous performer. If you only saw them on TV, you might well be willing to forgive Sasha an occasional slip, while wondering what it is the judges are seeing in Irina to justify such high marks.
Even on the issue of using the PCS scores to "hold up" skaters, I think there is another side to the story. To me, the best skaters really are the best skaters. Even when the top skaters make glaring miscues, still, the overall quality of their skating can legitimately put them ahead of their less accomplished competitors.
Plus, there has to be a place where the judges can reward the "total package" performance that is better than the sum of its parts. When a skater can hold the attention of both the audience and the judges, play our emotions like a violin, and leave us shouting, cheering, laughing and crying all at the same time (example -- Shen and Zhou's Turando at the 2003 Worlds) -- that has to count for something.
Mathman