Hanyu didn't give it to Chan, the dumb scoring system did via Hanyu receiving 0 points for his combination in the SP. If Hanyu had won the SP, as he deserved to, then the two of them would have been looked at in a different light in the LP. Instead, there was a feeling of Hanyu "trying to catch-up" after the SP. Not that such a thing should influence the judging anyway, but of course it did. Although, Chan's skating is generally overscored anyway, +2's GOE constantly handed to him for +1 quality elements. Even when messing up in the SP he still got plenty of unwarranted GOE for his spins there, plus level credit for the last position of his flying sit in both programs, even though it doesn't deserve credit as a difficult variation.
Eh, sounds like traditional attitude of machismo here. Patrick will always be more stout/muscular than Hanyu and look "more manly". His style of skating shouldn't be upheld as the one and only best.
Hanyu in his SP already shows the ability to outskate him, though? He uses his edges in even more dynamic ways. Spread eagle into 3Axel with speed and right into a spread eagle again on the landing and holding it for a long time. When will Patrick ever?
Brian Boitano already did it as well, all the way back in 1988 -
http://www.dailymotion.com/video/x1onggt_brian-boitano-1988-calgary-long-program_sport. THAT is wonderful skating skills, in service of complete choreography and interpretation. Chan hasn't yet shown the ability to deliver a LP like that. Even in terms of purely the usage of the skates, the way Patrick moves tends to be the same from program to program. He doesn't move his skates directly in relation to the beat and character of the music, rather in the same kind of way that is comfortable to him. Yes, it's phenomenal edge quality and control and all that, but it's not fully skating a PROGRAM. It's not using the blades to become one with the music.
These are the details that need to be assessed better by the judges and it's something that Patrick could perhaps improve on. Could he ever give a performance like this, for example -
Matt Savoie, The Mission? Who knows, maybe 2 years from now we'll see Patrick's skating and look back and say "wow, his programs in the past weren't as dynamic and emotional as this." But how can he ever improve when everyone is telling him he's already perfect in those areas?
I think this is the best Patrick has ever skated -
2010 Worlds SP. It's the most his skating has ever moved as a choreographic whole and it really is a glorious, stunning piece of work. There are still a couple sticky points I have with that program - the footwork rules demanded more movement than was necessary for the straightline step sequence (although the footwork sequences in this program, particularly the circular, are SO much better than the ones skaters have to do now), and the spins are a bit too repetitive with all those catch-leg sit positions and edge changes, but this is a very strong model of CoP skating and what Patrick can do.