First of all, what exactly is wrong with Menshov and Voronov having long careers? They both made major improvements to their skating late in their 20s (and they aren't the only ones to have done so). God forbid someone who enjoys skating keeps doing what they love and improving themselves.

And even though I am no fan of Petrov or Samarin right now, it's just absurd to assume that teenage skaters have no hope of improving either. Even Kovtun has come a long way only very recently. I think it's funny that you have nothing negative to say about Krasnozhon who is hardly any different from those two, but since he represents America now, he gets treated much more favorably. And let's face it, Vincent Zhou and Nathan Chen are no great shakes artistically but I keep reading on here that "They will improve! Give them time!" Yet the Russian boys are just doomed? Ok...
And it's been mentioned multiple times on here that Daniel went to Junior Worlds because otherwise his season would have been over. Bychenko got the only spot for Isreal at Worlds. I am sure Daniel didn't assume he would win this again. He's a humble skater who had a very rough season and much of it was beyond his control (apparently he had boot issues even before his skates were lost at Euros). No, he doesn't have fantastic SS, transitions, etc. But he interprets music well and knows how to sell a program.
I didn't like Krasnozohn much until his recent improvements. I meant no disrespect to Voronov and Menshov who I actually admire for their resilience, love and dedication to the sport. It is very admirable that they stuck around so long and continued to try and improve their weaknesses. Clearly their talents, similar to Petrov's and Samarin's, are as jumpers. However, Menshov began to grow on me, and I found myself appreciating his hard work a great deal. I very much enjoyed Menshov's
Pina rendition. It's almost as memorable as Savchenko/Szolkowy's! And that's saying something. I also have a soft spot for Menshov since he was ill-treated by Russia fed on a number of occasions.
Voronov was absolutely wonderful at Skate America earlier this season and he received a standing ovation after his fp. Perhaps Samarin and Petrov can use Voronov and Menshov as role models, or perhaps they do already.

The smilie after the comment in my previous post stands for 'sarcasm' btw.
None of this takes away from the fact that despite their youth, neither Samarin nor Petrov have great range or potential stylistically. Definitely though since they are teenagers, there is still an outside chance for further growth with presentation. I do see them trying hard. But let's face it, their PCS were over-scored here. Neither has the natural, precocious artistic talent and fluidity of Jun Hwan Cha. Nor at the moment are either Samarin and Petrov the most effortless and brilliant quad jumpers in the world, despite their jumping ability.
Dmitri Aliev has a lot of room for continued artistic growth. He had a better competition at JGPF. Aliev was not at his best in Taipei.
Kras is not that pretty of a skater stylistically, but his ebullient personality is infectious, and he's coming more into his own in finding his style and expressing himself on the ice. And Kras definitely moves better over the ice than Samarin who is rather jerky and stiff. Petrov is finding his way too, but I don't detect much personality in Petrov's skating. He is trying with the Frank Sinatra, which is a type of vehicle that's been done before quite often since Johnny Weir made it popular with his 'My Way' exhibition. It's obviously easier to like skaters whose backgrounds and personalities I know more about. I'm familiar with Kras' coaches and his coaching environment and I've seen interviews with him and his coaches. Kras' reaction to making JGPF was priceless and would bring a smile to anyone's face.
I'm sure Samarin and Petrov are fine young men, but I do not see them going as far as Mikhail Kolyada in terms of podium success. We shall see. I feel for Kovtun. He's had a hard go of it since he came up from juniors in such an overly dramatic and politically contentious way. Kovtun is so awkward as a skater, so it's nice to see him find a way to express himself better on the ice. He seems to take it all so very hard. I guess that's the thing for many Russian skaters: its so important to win often in order to improve the livelihood for themselves and their families. Perhaps unlike U.S. skaters, Russian skaters do not have very many other options outside of skating to make a big success in life.
Thanks for pointing that out about Daniel. I am drawn to his personality, but he has a lot of room for improvement artistically. With his quad arsenal, and more consistency, he will get the points. But he was over-scored on PCS. Again, it is about the IJS/COP scoring system and the judges' apparent inability to score performance categories within reason.
The PCS scores are off-base most of the time for everyone. Sure there are people who complain about Nathan's PCS. What Nathan is focused on is concentrating on the jumps that ISU says are needed to win. At the same time, Nathan has good presentation skills, as well as a background in ballet. So, despite people trying to say Nathan is like Boyang, there is no comparison. Nathan has a much better feel for the music, he's more consistent technically, and he is overall better than Boyang stylistically, which can also be seen in Nathan's exhibitions. The reason people say that Nathan will grow, is that he's accomplished so much already at such a young age, and with his competitive mindset, drive and precocious talent, the sky is the limit.
Vincent has a different personality and a slightly different body type than Nathan, but both are cool and fierce competitors. What helped Vincent win in Taipei is that he has an excellent fp choreographed by Drew Meekins. The benefits of the right music, choreo and costuming should not be overlooked. And Vincent's jump technique is good and getting better. Plus, Vincent gained a great deal of confidence with his success at U.S. Nationals, which carried over to his Bavaria competition, and then carried over to Junior Worlds competition. He did not make the JGPF, but winning Junior Worlds is a great consolation prize.

Vincent already has a better and more fluid movement style than Petrov and Samarin. What both Vincent and Nathan lack right now is maturity. Again, with how good they are now, and the opportunity for maturity increasing their range, the sky IS the limit. I don't see how anyone can say that Petrov and Samarin show similar artistic range and potential as Vincent and Nathan. Even Vincent's and Nathan's technical strengths are already surpassing those of Samarin and Petrov.
But I did not say "the Russian boys are doomed." I just think that from what I see of Samarin and Petrov at this point in their careers, it will take a lot more work for them to grow artistically, and it's more of an uphill battle. I see them hitting a wall in that respect, unless they find unexpected music and programs that suit their less than engaging on-ice personalities. OTOH, Mikhail Kolyada and Dmitri Aliev are brilliant technically and artistically, so I have not lumped Russian men into one bag. Kolyada placed 4th at Boston Worlds and arguably he should have been on the podium, if not for the judges over-gifting Boyang Jin.
Meanwhile, U.S. men are known for their all-around talent technically and artistically, except for in recent years the almighty quad being a stumbling block in terms of complete mastery and consistency (which does not mean U.S. men haven't been instrumental in helping pioneer the quad, e.g., Tim Goebel, Brandon Mroz, et al). So, now that a new generation of U.S. men are coming up with more quad firepower, all bets are off re the recent tendency by some fans to look down on U.S. men. At Boston Worlds (their home country) U.S. men were a bit dumped on even with skating better than some who placed ahead of them, and thus they lost a third spot unfairly. Don't begrudge the fact that podium fortunes are now seeming to look brighter for U.S. men, after a long drought.