Thank you, Victura!
If you freeze the picture at the very beginning, it's a cool pose. Deanna has like a pensive pose, very graceful, while Nate is very slightly bowing to her.
Eleanor Rigby ... With the better quality sound, I love it. The violin is a strong, full 30-second introduction; then the piano comes in delicately with the melody. By the time the singer enters, I'm ready for it. There was a White House program when Paul McCartney received a big-time award. A lot of the program was other singers giving their interpretations of Paul's songs. The most notable thing was how much Paul enjoyed others' renditions of his music!
Deanna's refinement of her movements is spectacular. I think one reason Nate's has improved is that they're working with choreographers. Jim Peterson is a great coach, but his pairs need outside eyes and influence, IMHO.
Deanna's posture .... look at the splendid curve of her back in the death spiral! Wow.
SBS 3Lz ... if you slo-motion, you can see that they're doing their movements in synch, with the same jumping technique. I've been complaining for years that US pairs don't do this. Deanna and Nate are doing it.
The musical mood changes in the middle of the footwork, becomes lighter, speedier. It speeds up the footwork, and it's very effective. I lose my "analysis mode" during it, I'm just inside the skating. Great skating, D/N. Brilliant work, Rohene!
The spectacular lift is where Nate's experience shows. I'm told (thanks, John Coughlin) it's extremely difficult for the man to sustain so many complicated lift positions at length, doing turns and weight shifts himself. And this is also where Deanna shines, as you really need presentation in the lifts. I'm especially impressed that they incorporated that upside-down position at the end of the rink, showing off Deanna's flexibility and the way she holds a position while looking relaxed. (this is a Marissa/Mervin lift. kudos to D/N for stealing it!!!!)