2021-2022 Programs by Discipline | Page 5 | Golden Skate

2021-2022 Programs by Discipline

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Alexei Erokhov RUS
SP: "Fallin' " by Alicia Keys, performed by Nicola Cavallaro
FS:

Adam Siao Him Fa FRA
SP:
FS: Daft Punk Medley


Leonid Sviridenko RUS
SP: "Sturm I: Fear" by Dardust

Ilya Yablokov RUS
SP:
FS: "Walk Away" by Maxime Rodriguez and Xavier Mortimer

Mia Kalin USA
SP: "Waltz of the Flowers" from The Nutcracker by Pyotr Tchaikovsky
FS:

Stanislava Konstantinova RUS
SP:
FS: My Love, The Devil You Know by Kovacs; "Take The Lead Tango" by Bonnie Greenburg

Alexia Paganini SUI
SP: "La Cumparsita" by Gerardo Matos Rodriguez and Gerardo Matos Rodriguez
FS:

Nataly Langerbaur EST
SP:
FS: "No Ordinary" by Labrinth


Marilena Kitromilis CYP
SP:
FS: "The Four Seasons" by Antonio Vivaldi
 
Just to name a few 🙂

Gordeeva Grinkov 94-95 AP: Vocalise

Michelle Kwan 97-98 SP: Piano Concerto No.3 and Piano Trio No.2

Shen/Zhao 05-06 SP: Piano Concerto No.3

Patrick Chan 12-13 SP: Elegie

Ting Cui 18-19 SP: Rhapsody on a Theme of Paganini
Mao Asada, Jeffrey Buttle, Michelle Kwan (never performed in competition)-Bells of Moscow (Prelude in C# minor)

Many besides Ting have performed the Paganini Rhapsody--Shizuka Arakawa, Mirai Nagasu, Rachael Flatt, John Curry, to name a few.
 
But will he wear Maxim's yellow pants? :biggrin:
isn't that mandatory? :LOL: but i keep thinking Judas would make a better character also in the costume department

Judas-BN-2-e1476736076419.jpg


speaking of hippie musicals has anybody ever skated to Hair?
 
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I've read the article and I know what Mariah says about the Lady Gaga program and a tribute to vogueing, etc.

But I am still afraid her short programs are becoming too one-note. And a Denali Foxx reprise, essentially (I know also, I read the article, with Denali's full cooperation). I am not optimistic. I hope she pulls it off.🤞

The LP could play to her strengths.
 
I've read the article and I know what Mariah says about the Lady Gaga program and a tribute to vogueing, etc.

But I am still afraid her short programs are becoming too one-note. And a Denali Foxx reprise, essentially (I know also, I read the article, with Denali's full cooperation). I am not optimistic. I hope she pulls it off.🤞

The LP could play to her strengths.
Have you listened to Chromatica? It has a couple of really beautiful instrumental interludes (Chromatica I, II and III). It sounds like Mariah will be using some of that, in addition to the upbeat part.
 
Have you listened to Chromatica? It has a couple of really beautiful instrumental interludes (Chromatica I, II and III). It sounds like Mariah will be using some of that, in addition to the upbeat part.
No, I do not know much of Lady Gaga's work, although she does have some ballads and she has a lovely voice. So maybe it won't be as much "back to the future" as I feared.
 
They are keeping last year's FD

Natalia Kaliszek & Maksym Spodyriev POL
RD:
FD: "Heart Cry" by Perpetual Emotions/"Natural" by Imagine Dragons; by Sylwia Nowak-Trebacka

as are:

Elizaveta Shanaeva & Devid Naryzhnyy RUS
FD: "Amaluna" from Cirque du Soleil; choreo by Alena Samarskaya
 
Mariah Bell USA:

SP: Music from Chromatica by Lady Gaga
Choreography by Cordero Zuckerman

FP: Both Sides Now by Joni Mitchell
Choreography by Shae-Lynn Bourne

I know that imitation is the sincerest form of flattery, but I dislike when we get a successful innovative program (like Paul and Piper's) that breaks new artistic ground, and immediately that music is picked by others.

I'm sure it's not REALLY the case, but to me it feels like the skaters hang back and wait for someone else to do the heavy lifting, and then try to swoop in and coast off their efforts.
 
I know that imitation is the sincerest form of flattery, but I dislike when we get a successful innovative program (like Paul and Piper's) that breaks new artistic ground, and immediately that music is picked by others.

I'm sure it's not REALLY the case, but to me it feels like the skaters hang back and wait for someone else to do the heavy lifting, and then try to swoop in and coast off their efforts.
This seems a bit harsh to me, particularly since frankly I don’t think Piper and Paul’s Both Sides Now was all that innovative and different- their Hitchcock and Disco Inferno programs, yes, arguably Starry Starry Night, but not that one. Just because it’s not a piece other skaters have touched before doesn’t make it automatically an innovation IMO, nor does that make the second person to use it some sort of scavenger. I’m sure Mariah and Shae -Lynn Bourne have their own vision for the music and I can easily see how they’d think it was a reasonable next step from her Hallelujah program, just as Piper and Paul used it as the next step after Starry Starry Night. If anything, I think the negative response to the ABBA program has probably made Mariah’s team wary of being too experimental in the free, though I will point out she’s trying something different in the short.
 
I remember seeing Kevin Amoz doing his Lighthouse programme for the first time and thinking 'oh no, that's a signature programme from Aljona/Bruno but he took his very own take on it (besides being a single's skater which is different in any case) and it was so good. I was slightly less enthusiastic about Ginevra Negrello's take on La Terre Vue du Ciel which obviously was also an iconic programme from Aljona/Bruno but it didn't give me a copy cat feeling either. I would probably think differently when another pair uses that particular piece of music. But I've been in favour of skaters making use of Armand Amar's music ever since!
 
This seems a bit harsh to me, particularly since frankly I don’t think Piper and Paul’s Both Sides Now was all that innovative and different- their Hitchcock and Disco Inferno programs, yes, arguably Starry Starry Night, but not that one. Just because it’s not a piece other skaters have touched before doesn’t make it automatically an innovation IMO, nor does that make the second person to use it some sort of scavenger. I’m sure Mariah and Shae -Lynn Bourne have their own vision for the music and I can easily see how they’d think it was a reasonable next step from her Hallelujah program, just as Piper and Paul used it as the next step after Starry Starry Night. If anything, I think the negative response to the ABBA program has probably made Mariah’s team wary of being too experimental in the free, though I will point out she’s trying something different in the short.
Perhaps it was harsh - my opinions can be sometimes. And perhaps I conflated "music not a warhorse" with "innovative."

And her choosing to skate to this piece one year after Piper and Paul had success might just be a coincidence. Or, it being an Olympic season, maybe she has been saving this music for years, similarly to how other skaters "save" music for the Olympics. I doubt that's the case, but stranger things have happened.
 
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