Mone Chiba has the best Long Program of the season but it makes me sad how much is missing still. She could be magical if there was more emphasis placed on truly expressing the music. Look at Sasha Cohen's R+J at the Olympics and how the program is allowed to breathe and emote midway through: the extension and slow glide forward after the layback, the delicacy of her arms that move as if she is trying to part the clouds, the way she stands at center ice and plucks a flower from the air, her sublime facial expressions. The amount of intimacy and longing and fated tragedy expressed in those moments is what skating NEEDS, and nobody is trying to do this anymore.
It's more than just that section of choreography, there are so many details that aren't as good. Look at Cohen's upward leg kick after her 3S. Chiba also does this in her program after her 3S and it's not as extended and impactful. It's in Chiba's program simply to show some kind of "extra movement", whereas in Cohen's program it's a stunning moment, a cinematic declaration, because of the shape she creates and how it goes with the music AND the overall choreographic concept of the whole program, doing it after the last jump at the end of the program, bringing to mind Juliet suddenly awaking, right before dying.
Similarly, Cohen's spins flow with the music better, the footwork sequence has a more clear shape and purpose, and of course the stunning spiral sequence. Chiba's spiral in her program, during the emotional climax of the music, is a bit clunky getting into the initial position, isn't held for especially long, and has a BENT KNEE. Yet because she's at least doing a spiral in that moment and it's not hideous, we're supposed to feel like something special is happening. In actuality it's merely the baseline of what a decent program should have and is quite far from being masterpiece level. The judging for a long time now has absolutely failed to correctly score the artistic merit of programs, and when you pair that with the horribly flawed rules, it turns programs into artificial collections of random turns/movements that don't add up to anything special, and the skaters are visibly focusing on those things while competing, instead of being IN the performance and caring about how to make it as attractive and emotional as possible.
Chiba's soft, fast glide and overall nice qualities allow her to get through the convoluted footwork sequence more elegantly than most other people, and she's able to create little moments of beauty in the program, but those moments are just glimmers of greatness, rather than actual greatness itself. Yet we cling to those moments and want her to win, because she's producing more of them than anyone else right now. In the current field, she displays the most amount of freedom and radiance. She's the least bogged down by the artifice of what skating has become.