Kana Muramoto & Daisuke Takahashi | Page 39 | Golden Skate

Kana Muramoto & Daisuke Takahashi

I uploaded Symmetry from today's full tv broadcast (which was of a different performance than the previous footage):






Marie and Takuro came to see one of the Tokyo PIW shows and everyone from the Hyoen cast gathered for a reunion shot :love::

https://x.com/maruimarie/status/1893313117049733391

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KanaDai with Hirokazu at one of the meet & greet sessions:

 
Dear Kana-chan, have a wonderful birthday and the opportunity to hopefully celebrate a little in the midst of the Kassouya rehearsals. I wish you much success in everything you do and that you can realise all your dreams and ambitions! 💕🎂


ETA - Kana received a very yummy looking Kassouya-themed birthday cake 😋:

 
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Kana-chan receiving her birthday cake from Dai-chan and Yuma 😊:







JBpress published interviews with Dai and Kana about Kassouya (I have been posting all other Kassouya updates in the ice shows subforum):

Dai: https://jbpress.ismedia.jp/articles/-/86903

Kana: https://jbpress.ismedia.jp/articles/-/86904






They also published an article about Kana's work as a choreographer:



Machine translation:



Pro skater Kana Muramoto's potential as a choreographer: ‘Memorable works’ She has worked with many skaters, including Shizuka Arakawa and Kaori Sakamoto.
(by Takaomi Matsubara)

‘Anything goes’.
 The last Stars on Ice took place in Osaka and Yokohama from the end of March to early April 2024. The performance of ‘Poison’ by Kaori Sakamoto made a vivid impression. Sakamoto's speed and power, but also her graceful movements and glamorous performance on and off the ice...... received high acclaim because it brought out a new expression in Sakamoto, a side of her that had never been seen before.
 The choreography was done by Kana Muramoto.
'Sonoko Nakano, who coaches Sakamoto, said to me: "Kao-chan says she wants you to create it, what do you think?" After that, I got in touch with Kao-chan and we choreographed it.’
 Not only Sakamoto. This past year, in which Muramoto was in charge of choreographing many skaters, was also the season in which Muramoto began her full-fledged career as a choreographer, alongside her other activities.
 She says she had always had an interest in choreography.
‘I had the idea that it would be fun. I had a light feeling that it would be difficult, but I wanted to try it.’
 The first step forward came in the summer of the year before last, when Shae-Lynn Bourne choreographed her and Daisuke Takahashi's program ‘Makeba’, which they performed together for the first time at ‘Friends on Ice’.
'I felt Shae's way of choreographing, or rather her passion for choreography, and she would just do all kinds of moves. She would do everything and find the moves that suited the skaters. When I saw that process, I felt, in a good way, that ‘anything goes, a choreographer can do anything’. When I saw Shae creating the movements freely and happily, I felt that ‘being a choreographer is great, I want to try being a choreographer’. I told Shae that I was thinking of becoming a choreographer, and she said, ‘That's absolutely fine, you'll definitely fit in’.
 Until then, she had worked with many choreographers. Here's how she describes the difference.
'Before that, I was choreographed as a competitor, so I really enjoyed the choreography process, but I was so focused on the competition that I didn't think about becoming a choreographer in the future at all. After I retired, I thought about how I wanted to be involved in skating in the future and what I was going to do, and the option of becoming a choreographer came up. Then I saw Shae, and I wanted to be a choreographer at once.'
 She was asked to choreograph by Shizuka Arakawa, and then came the request from Sakamoto.
 Not only them, she has choreographed programs for numerous skaters.
I was asked directly to choreograph Yuto's short ‘Give Me Love’ and Kosho's short ‘Flamenco’.
 Sometimes her work led to new work.
'Kazuki (Tomono) asked me to create an exhibition after seeing Kao-chan's (Kaori Sakamoto) program (‘Don't Fall in Love’). The works we have made are seen at some point, so it's important that people think they are good. In that sense, I'm glad it's a good start.’


Drawing out of the skater.
 How does the choreographic process proceed? One part of the process is revealed.
'I often choose the music. I get an image from the skaters, such as ‘I want something quiet’ or ‘I want something fun’, and then I choose from there. Sometimes I do the editing myself and sometimes another person does it. I start by imagining the skater skating in my mind. I ask them which elements they want to include, in what order they want them, and in the case of competition programs, the order of the jumps, so I listen carefully to that first. I ask the skaters to watch various dance videos, and then I ask them to move in a variety of ways.
 Skaters who use their arms beautifully can make the most of that, or skaters with long arms and legs can make their arms and legs look longer. For Kao-chan, I first watched various previous programs and looked for her habits. I thought about how to incorporate Kao-chan's weaponry, her sense of power and speed. I thought about making sure to include that in the program.'
 The reason she received so many requests was, as in Tomono's case, because of the appreciation of the work she had done before, and the reason why she is asked out of the many choreographers out there is probably because it can be felt that the programs are choreographed in a style that is unique to Muramoto.

'Some people said, "This seems like Kana-chan's choreography," but I still haven't figured it out yet. I'm still searching for my own color. I wonder what it is.'
 There are certain points to which she is particular.
'Basically, I focus on expressing sounds, beats and lyrics. I'm also conscious of doing a very detailed sound set-up, being particular about the steps, and not missing any notes. I also try to be a little bit sexy in all genres.'
 The important thing is to ‘draw from the skater who the choreography is done for’.
'It's a good flavour if the skaters can bring out their emotions after the choreography is done and the base has been created. I hope to create a good piece with the base and bring out the skaters' weapons to the maximum.’
 To this end, she vows to evolve.
'There are so many different types of dance, jazz, contemporary and so on, so I think I need to increase my range. Now, when it comes to choreography, it doesn't always come out, so I have to update myself.’
 And then she says: ‘First of all, I want to create a lot of different works. Of course, I want to make an Olympic program in the future, but above all, when I was active, I valued skating memorable programs, so I want to make programs that people will say ‘that was good’ no matter how many years go by. I want to make sure that I don't waver in my focus of wanting to create memorable performances and works of art.
 'One day, I hope to deliver such works to the world.' Having taken her first steps as a choreographer, Kana Muramoto looks to the future.
 
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Hi deedee, thanks for sharing. I'm going to post the link in the Kassouya thread in the ice shows subforum (and I am posting updates in Dai's fan fest too) - I hope you dont mind? :pray:


Here are Kana and Dai leading the transition from the opening sequence into the new group number "Centuries" by Fall Out Boy (the entire video contains the sequence from the opening to Sena's "Engravings" solo / at 12:00 the video focuses on Kana and Dai in the "Heist" section):




While Kassouya was already great last year, it has been visibly upgraded this time. All of the transitions are really smooth and the show looks seamless now. I'm incredibly jealous of the people getting to see it live!



Kana's "Figure 8" solo :

 
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Hi! Not at all, of course. :) Will visit the ice shows thread later! :)

And thanks a lot indeed, as always, for all your great effort for keeping GS forum going. Dont have much time lately myself to visit here, sorry, but whenever I need to check something on the sport, THIS place still the most essential and efficient for me, the best place for me. :)

:ghug:
 
From Kana-chan's ig account 🫶:





Kanadai ♓
I'm grateful that even after retirement, we can still create works together like this.
The view that can be seen after overcoming various obstacles.
And I respect the way you always pave new ways! Kassouya! Completed! AMAZING!!!!🔥






Kana x Kana sandwich🖤.

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Sorry, I forgot to share this here too! Kana was happy to bump into Kazuki and Yuto at the rink a couple of days ago



Selfishly, I really love any Kana/Kazuki content as they give such a strong big sister/little brother vibes, and I know he looks up to Kana a lot :love2:
 
Selfishly, I really love any Kana/Kazuki content as they give such a strong big sister/little brother vibes, and I know he looks up to Kana a lot :love2:

That reminds me of Kazuki sitting next to Kana (and Dai) on the plane on their way back home from Worlds in Montpellier - Kazuki really looked like a younger brother travelling with his older siblings (or rather with his uncle and auntie) there 😆:



It's lovely that Kazuki looks up to Kana - I hope she gets to choreograph for Kazuki again (most likely she won't get to choreograph a competitive program for him, but another exhibition would be nice)! 🤞



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Kana and Dai were guests on a morning tv variety show, called "Rabbit", today to promote Stars on Ice (their first joint tv variety show appearance in a while) - among others involving a game where the participants have to tell each other "Aishiteru" ("I love you") without cracking up and a card game in which the losers receive electric shocks (don't ask me why!) 😅 I cut the show so that it contains mainly Kana's and Dai's parts (the best moment was when Kana switched to English in the "Aishiteru" game to confuse her "opponent"):




https://x.com/TBS_figure/status/1901916531782787417

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It's lovely that Kazuki looks up to Kana - I hope she gets to choreograph for Kazuki again (most likely she won't get to choreograph a competitive program for him, but another exhibition would be nice)! 🤞
He said that Kana is an older sister who is 'beautiful in every way' - I really like this turn of phrase and IMO it describes Kana so well. I also hope and expect her to choreograph for him again in the future!
 
Post on the TBS FS twitter account after KanaDai's variety tv show appearance:


\Stars on Ice 2025/.
🌈4/5(Sat)6(Sun) in #Osaka🌈.
Off-shot of #Daisuke Takahashi and #Kana Muramoto from yesterday 📷🧐💕.
They both have their birthdays close to each other 🌷Flowers🌷 and 😆✌️
They looked great with pink🩷 in their hair and outfits ☺️❣️
Watch #Kanadai's breathtaking performance on #StarsOnIce!
Tickets are on sale now: 💁‍♂️❄️

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And here's an interview with them about the upcoming Stars on Ice shows - they didn't name the programs, but from their descriptions it sounds like they plan to switch between Makeba and Symmetry:







Saving the best for last:


Mao, Dai and Kana are working on a special collaboration number for SOI (it seems like Kana might be choreographing a duet, incorporating ice dance holds, for Mao and Dai - or maybe it's a pas de trois? 🥰):





\ #StarsOnIce 2025/
💖SP collaboration number is here💖
#MaoAsada, #DaisukeTakahashi, and #KanaMuramoto practiced for the show~🤭👏👏
Here's a sneak peek at it😙🤏
The show will be held on April 5th (Sat) and 6th (Sun) in #Osaka❣️❣️
Let's all have fun in Osaka~🐙💖
Tickets are on sale now💁‍♂️❄️
 
And here's an interview with them about the upcoming Stars on Ice shows - they didn't name the programs, but from their descriptions it sounds like they plan to switch between Makeba and Symmetry:

[...]


Saving the best for last:


Mao, Dai and Kana are working on a special collaboration number for SOI (it seems like Kana might be choreographing a duet, incorporating ice dance holds, for Mao and Dai - or maybe it's a pas de trois? 🥰):





\ #StarsOnIce 2025/
💖SP collaboration number is here💖
#MaoAsada, #DaisukeTakahashi, and #KanaMuramoto practiced for the show~🤭👏👏
Here's a sneak peek at it😙🤏
The show will be held on April 5th (Sat) and 6th (Sun) in #Osaka❣️❣️
Let's all have fun in Osaka~🐙💖
Tickets are on sale now💁‍♂️❄️




The Answer interviewed Kana and Dai, among other topics, about Stars on Ice - at this point they didn't or couldn't reveal much about the collaboration yet:


Part 1: https://the-ans.jp/column/518739/



Daisuke Takahashi is still inspired by Mao Asada, and feels that she has changed over the past few years: ‘Compared to when I was an athlete...’ Kana Muramoto is also looking forward to performing with her.

2025.03.24
Author : THE ANSWER Editorial Department, Hideaki Kambara
Muramoto Kana and Takahashi Daisuke, professional figure skaters and ice dancers, were interviewed by "THE ANSWER" and talked about the appeal of ice shows, which are their current main field of expertise. They were active for three seasons from 2020-21 and won the All Japan Championships in 2022. KanaDai, who has attracted attention to ice dancing and continue to challenge themselves even after retiring from competition, explain the world of shows, which is different from competitions, based on their own experiences. They are looking forward to performing with Asada Mao in the ice show "Stars on Ice" on the 5th and 6th of next month.

Interview with Kana Muramoto & Daisuke Takahashi, Part 1: April: ‘Stars on Ice’ with Mao Asada.
 ​
--Figure skating is divided into two types of events for fans to watch: competitions (tournaments) and ice shows. What is the appeal of performing in an ice show for skaters, and what do ice shows have that competitions don't?
Takahashi: "In competitions (rules), what you have to do is fixed, but in ice shows there are no restrictions, so there is a lot of freedom and the skaters can show what they want to show."​
Muramoto: "That's the kind of freedom they have, so they can do anything. It feels like freedom. They have expressiveness that you never see in competitions. I see each skater with new discoveries, like, 'I didn't know they could express themselves like this!' The lighting and music are unique to ice shows, and you get the feeling you're in a totally different space from a competition. It may be a little different from a (theatrical) stage, but I think it's entertainment. The collaborative numbers where top skaters who usually compete (in competitions) skate together are also unique to shows. They don't often get to skate an entire song together with other skaters, especially as a group, so that's what makes it interesting."​
Takahashi: "There are also many different ice shows, and the atmosphere is completely different. The way of presenting is also completely different. In particular, 'Stars on Ice' has had a North American style atmosphere for a long time. North America has a powerful style of expression and music, which is unique to 'Stars on Ice'. As veteran and young skaters come together to perform together, young skaters can also learn a lot from skating alongside the veterans. As a skating fan, you can enjoy being able to watch the skaters you've supported for a long time and the current stars you support at the same time."​
--In the context of entertainment, I think ice shows can be an extension of going to see live music, theater, or musicals. Ice shows are also unique in that they combine art and sport. Are there any common elements that entertainment fans can enjoy?
Takahashi: "I think there are definitely some commonalities between music, lighting, and movement."​
Muramoto: "It depends on the song, but there are some numbers where you can shout 'Hoooo!' and get excited like at a live show."​
Takahashi: "Also, in the same ice show, each skater has their own worldview, so you can enjoy different worldviews. I think you can really feel the immersion when you see the performance condensed into 4 to 5 minutes."​
--On the other hand, are there any challenges that are unique to ice shows?
Takahashi: "The preparations are quite tough (laughs). Skaters come from all over the world, so we don't have much time, and we only have two or three days to rehearse, and we have to memorize the group numbers. We have to cram everything in in a really short amount of time, so we work hard from morning to night before the performance."​

Takahashi sees Asada's growth, and this show "will show things we've never seen before."
--What are the highlights of your performance in "Stars on Ice," which you'll be appearing in next month?
Muramoto: "This time, we've prepared two programs, which are completely different worldviews. If you have a chance to see both, I think you'll be able to see the fun of how the same team can express completely different worldviews."​
Takahashi: "That's right. The costumes are made to match each worldview, and the makeup and hairstyles are also changed. The most important thing is to make the viewers think, 'I want to see it again.'"​
Muramoto: "As for the show overall, it's definitely Mao (Asada)."​
--Mao Asada is making waves as she will be appearing for the first time in nine years. Takahashi and her have often overlapped in competitions and ice shows in their active days, so it seems like it will be a very rare opportunity to perform together on the same stage again. How are you feeling?
Takahashi: "It's been a really long time since we did a group number together, so I'm really looking forward to it. Mao and I both started producing ice shows, and she herself has absorbed a lot of things in the last few years, and when I actually went to see her skate, I thought ‘she's amazing’ and she is still growing. I also ‘clash/compete’ with her in a good sense, and wonder what kind of world view we can create together. Mao and I are now discussing what kind of performance we will create. I think a special collaboration will be born, so please look forward to seeing something you've never seen before."​
--In your opinion, Takahashi, in what specific ways do you think Asada is "still growing"?
Takahashi: "She has really improved the way she shows off compared to when she was an athlete. She is really putting all her effort into 'showing' and 'having people watch'. Of course, she worked hard when she was active and that was something that came across, but I get the impression that something different is coming through now than it was back then. It really inspires me. It makes me feel like I can't afford to be complacent, so I'm really looking forward to this time."​
The two ‘KanaDai’ members talked about the appeal of ice shows and looking forward to performing with Ms Asada. In the second part of the interview, they reveal their reasons and passion for performing through ice shows. They also revealed their thoughts on the future of figure skating and the spread of the sport.
Part 2:


Why Kana Muramoto and Daisuke Takahashi keep standing at the rink: ‘I want to come back again’... Passion for the future of the figure skating world at the root of it all.
2025.03.24
Author : THE ANSWER Editorial Department, Hideaki Kanbara
The Japanese figure skating and ice dancing team of Kana Muramoto and Daisuke Takahashi, professional figure skaters, were interviewed by THE ANSWER and talked about the appeal of ice shows that are now their main field. After raising the profile of ice dance and stepping away from the competition, ‘KanaDai’ continue to challenge themselves, revealing their passion and why they still perform in ice shows. They also shared their thoughts on the future of figure skating and its popularisation.
--The two of you are two of the few professional ice dancers in Japan who are active on the show stage. What is the underlying thought that keeps you focused on expression even after you have retired from competition?
Muramoto: ‘In competitions, you are bound by various rules, so the expressions you can show are limited. For example, there are all sorts of rules about the number of seconds for lifts, etc., so it's difficult to show what we want to show to the max. But in an ice show, there are no such rules at all, and we can pursue our ideas as far as we want to. That's why we discover something new every time we go to an ice show. And by taking part in ice shows, we also develop a feeling that we would like to create more of this kind of world view. In competitions, the judges give us scores, but in ice shows, of course we aim for the audience to enjoy watching, and I think the deepest part is that we can simply pursue our own world view and what we want to do.’​
Takahashi: "As an active skater, your goal is to win. You choose the music while thinking about how to create a program that will help you win. But with ice shows, you have to think about how to entertain the audience while also having fun. I think young skaters are doing some challenging things with their show numbers, and as professional skaters, there are no competitions, so the only place we can show off is in ice shows.​
 I don't know how long I can do this, but I'll try to think of things like, "This is something I haven't done yet," or "I'd like to try something like this." I hope that this will lead to the enjoyment of the audience. Those who have been watching for a long time will be excited to see what we will perform, and I hope that newcomers will think, "I want to come to another ice show." In that sense, this may be a test of my/our abilities."​
--I think that such a strong feeling is rooted in your passion for the sport of figure skating. In terms of popularizing the sport, it is also necessary to increase the number of children of the next generation, or to have them take up figure skating as a hobby, as well as "adult skaters". How do you feel about that?
Takahashi: "Local rinks are gradually disappearing, and although many people watch skating on TV, there are still many who have never seen it up close. I myself am currently working on how to get people who have never seen it to come and see it. Once they see it, more and more people say, 'It was interesting' and 'I want to see it again.' Apart from popularizing the sport (through tournaments and the like), I want to create many opportunities for a wide range of people to see ice shows.​
Will the children who see it for the first time want to skate, or will the parents who see it want their children to skate? I think that will eventually lead to the spread of skating, and we need to do activities to make skating feel more familiar. I think about that every time I skate in an ice show or when I produce a show myself. I feel like I'm always exploring and attacking from various angles."​

Performances that make you truly glad you came to see them.


--What about you, Muramoto-san?
Muramoto: "I also run figure skating classes. When I was little, I didn't really have any opportunities to learn from top skaters, so I think I'm able to help a little in that regard. But I'm sure there's still more I can do. The quickest way to convey the greatness of skating is to have people come and see shows like Stars on Ice, including the show that Dai-chan is producing. We need to build things up one step at a time, by having people come to see our shows and attend our skating classes. I think that will continue to be a challenge for us."​
--In fact, ice shows also help active skaters by helping their fans support their competitive careers, as the performance fees help support their sporting careers. Ice shows have a lot of meaning for skaters, don't they?
Takahashi: "When I was younger, I didn't appear in many ice shows, but gradually I was able to appear in more and had a lot of experience. Being able to feel the audience's reaction live made me realize things like, "Is this what they want from me?", and being able to watch other people's skating made me realize, "Is this the kind of skating that makes the audience happy?", and I made many discoveries. That's how important it is for skaters to skate in front of an audience. Young skaters can unknowingly feel and develop their own style, and grow together with the audience. That's what I did myself. The expressions and the way the performance is presented are different from competitions, so fans can discover many things, and it's also an opportunity to think, 'I want to support this skater."​
Muramoto: "In competitions you tend to appeal to the judges (who sit in one corner), but in ice shows, you appeal in 360 degrees, and even to the upper seats (of the audience). In this context, not only do we have to improve the level of perfection and link it to the competition, but we also have to give a performance that makes the audience truly happy that they came to see the show, because they are paying to see the show itself. That's why our enthusiasm for the ice show is probably a bit different from that of the competition. It's a lot hotter, so I hope you can feel that."​
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Crossposting from Dai's fan fest - nikkansports article about the SOI collaboration number: The number, which was choreographed by Kana, chronicles Mao's and Dai's journeys as amateur and pro athletes and Kana is going to portray Mao's younger self:


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Kana and Dai attended the Nichirei Group's (one of Japan's leading food companies) induction ceremony for new recruits in Tokyo on 1 April as special guests:




Machine translation:


Kanadai gives speech at Nichirei's induction ceremony: "Infinite possibilities" and "Enrich your heart"
On the 1st, Kana Muramoto and Daisuke Takahashi, who were active in ice dancing figure skating and are now professionals, appeared as special guests at the Nichirei Group induction ceremony held in Tokyo. The two, affectionately known as "Kanadai," shared their own experiences and sent words of encouragement to the 158 new employees who were taking their first steps as members of society.
 To commemorate the 80th anniversary of the company's founding, the two ice specialists were offered a job in connection with the company's original business of ice making during the "Nihon Reizo" era. They spoke for 30 minutes about the difficulties they faced and lessons they learnt on the way to their world success, finishing 11th at the 2023 World Championships, tied for the highest Japanese ranking ever, and about their thoughts on food.
When asked for a message to the new recruits, Muramoto wrote "The possibilities are endless!" on a flipboard. "I think there's a lot of growth and learning to be had from now on. Keep taking on new challenges, and enjoy them." Meanwhile, Takahashi wrote "Be rich in spirit," and encouraged them, saying, "This is something I personally value. Find out what you need now, what will enrich your spirit, and live a wonderful life."
After the event, Takahashi spoke to reporters, saying, "At first I was nervous about whether we were the right people to take the stage, but I was glad that everyone showed interest and nodded every now and then." Muramoto reflected, "Everyone welcomed us with a bright and energetic atmosphere. I could tell that they were listening attentively."






Machine translation of the non-paywalled part:


Kanadai gives a speech at Nichirei's induction ceremony; the two's "delicious moments" are...
2025/4/1 19:55 (Last updated 4/1 19:55)
Muramoto Kana and Takahashi Daisuke, who were active in ice dancing figure skating and are now active as professionals, appeared as special guests at the Nichirei Group induction ceremony held in Tokyo on the 1st. The main contents of the speech by the two, who are affectionately known as "Kanadai", are as follows.
The goal is... Takahashi: "Be flexible" Muramoto: "Take action"
<The difficulties of being active in the world and how to overcome them>
Takahashi: Japanese people value harmony. I used to be shy and not the type to express my opinions, but when I just said "anything is okay," I was often looked down upon as someone with no opinions. Although ways of thinking differ depending on the country, when I went abroad, I started to express my opinions in ways that I normally wouldn't (in Japan), and I started to express my dislikes and what I wanted to do, and I started to be accepted.
Muramoto: I felt it was important to know myself. I think it's important to recognize your strengths. Communication is also important in ice dancing. If you have a clear goal, and have a clear understanding of what you want to create and how, and what you want to convey, I think you'll be able to perform strongly when you go out into the world.
Takahashi: There were times when something I thought I had communicated hadn't been conveyed even after three months. I realized that it's not enough to just communicate something; you have to make sure the other person understands, otherwise you won't know if your message is complete. It's difficult, but once you get through that, a relationship of trust is born.




Photo gallery:


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Kana's Hyoen character visual has been revealed:





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Several Japanese media outlets attended the SOI rehearsals as well as a press conference with part of the cast today.


(Please head over to Dai's fan fest for even more photos).




Video of the press conference with Mao A., Kaori, Ilia, Riku and Ryuichi, Kana and Daisuke, Mao S. and Mone:





Greetings / ad for the shows in Sapporo from the press con:





Extensive photo report on World Figure Skating Web (including three photos of the collaboration number :love:):





Photos of the press conference and from rehearsals:



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https://x.com/Kinoshita_Sport/status/1908113351617675609

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https://x.com/TheAnswerFigure/status/1908112290827911396

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Collaboration number 🥰:



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Mao Asada to appear in "Stars on Ice" for the first time in nine years, special collaboration with "Kanadai" "Savor every moment and put my heart into it"
April 4, 2025 16:40
The Osaka performance of the figure skating ice show "Stars on Ice" will be held for two days from the 5th at the Towa Pharmaceutical RACTAB Dome in Kadoma, Osaka. A press conference was held the day before the show on the 4th, attended by former world champion and professional skater Mao Asada and others. Asada, who will be appearing for the first time in nine years, said, "It brings back so many memories. I'm really looking forward to skating with my peers who I've worked hard with in competitions, as well as the active skaters that I watch on TV and support."
This performance will feature a collaboration between Asada, Kana Muramoto of "Kanadai", Daisuke Takahashi, and Kazuki Tomono (Daiichi Jyukken Group). Muramoto expressed her expectations, saying, "It will be a special number," and Takahashi said, "I gave advice and we thought about it together. I think it's a great number." Asada also expressed her enthusiasm, saying, "It's a very special number. I want to skate with all my heart, savoring every moment of it (all six performances)."
 
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Thanks synes for all the updates!😊

I'm grateful that Kana and Dai are involved in so many interesting activities - both together and individually. Most of all, I'm happy that they remain to be in such high demand as show skaters, so that we have plenty of opportunities to see them perform. 😊



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Kana and Dai performed Birds/Makeba today as well as in the matinee show on the 5th and Symmetry in the soiree show on the 5th.

Birds/Makeba from today's show, which was broadcast live, was amazing! (I didn't quite understand the Smells like teen spirit intro, though. ;))

[link removed]


(Please note that I will take the link down after a few days.)





There are several great photos of Birds/Makeba and of the collaboration number in the following gallery:






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https://x.com/TheAnswerFigure/status/1908392290370101409

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