- Joined
- Mar 23, 2008
How can you say Yuna's SP boring? Her 3-3 is the best in the world and she skates really fast.
Wait... what? I don't think we look for the same things in a program. A 3-3 is a significant technical accomplishment, but it doesn't make a program "exciting." Maybe a 7-clean-triple program is "exciting" in its way, but it's not what I'm talking about here. Skating fast does help with excitement, yes, and I certainly can't say she's slow. But for a program to be exciting to me, it has to succeed not just technically but artistically - even moreso artistically, in fact. It has to tell a story. It has to evoke emotion. I just don't get that from Yun-a. I can't really pinpoint why, but it's not because she's a rival and it's not because she's asian. I loved Mao's programs last year and I usually love Fumie's as well.
I would agree if you were talking about Carolina Kostner who has no artistry whatsoever in my eyes.
I don't get that either. I like Carolina a lot, and I find her more interesting. I see a lot of really precise and graceful movement in her programs. I think if she had a more ballerina-like figure, she would get more credit for that. Although I do agree with those who say she has sometimes been overmarked. Notably when she was unfairly placed above Yukari, I believe at last year's Worlds. That was ridiculous.
Who is your favorite skater then? Sasha Cohen?
You got it.
turtle said:I also thought Arakawa was the clear winner (in Torino.) No controversy whatsoever. I'm surprised that anyone could possibly object to her winning let alone use a strong word like nauseous about it.
You misunderstand. Of course Arakawa was the clear winner in Torino. She skated clean, she did lots of triples. Her artistry was ... competant, I guess. She won under CoP, she would have won under 6.0. I have no problem with the podium results. I love Sasha to death, but a 2-mistake program shouldn't win the Olympics (even though it very well could under CoP) and I'd have been upset if it did.
What was nauseating to me was just the fact that it simply HAD to be that way -- that what I saw as essentially an unremarkable technical skate was the unchallenged winner of the OGM. It was the reality of CoP finally hitting home - even though, as I said, Shizuka would have still won under 6.0. Maybe it doesn't make direct logical sense, maybe it was more symbolic than literal.
fourclover said:Maybe you don't like the kind of music she skates to.
This is possible. I was tearing up at Jessica Kurzawski's Romeo & Juliet SP tonight, even though I called it "another hacked-up, aimless edit of R&J." I figured I was just having flashbacks to Torino. Maybe if I don't like their music, I don't give them credit for expressing it. I don't know.
Oh, and on the topic of (asian) music, check THIS out. It's actually a track from a game I got on clearance for $4 called MahJong Century. A little bit repetitive, but I still think it's awesome. There's enough original parts for it to be edited into a great short program, I think. Does anyone recognize it as an actual, real piece of music?
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