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I agree - the snakes are unnecessary and just ugly.Rhinestone Snakes around the upper body looks "understated"? I think it looks over-the-top absurd.
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This program was the perfect storm. The costume. along with Galindo's "dancer's carriage" and subtle portrait of the character. came beautifully together with what was perhaps the strongest technical execution of his career.Well, as long as we're going into the archives, I'll bring up one of my favorite men's costumes... and it comes from a skater not especially well-known for sartorial understatement.
Rudy Galindo's 1996 free skate costume was great. Solid black with no embellishment other than a tiny bit of white around the collar and cuff of the sleeve.
No pictures from me, you get the whole video, because, well, it's worth seeing again.
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another ugly take on the snake from the pastI agree - the snakes are unnecessary and just ugly.
True, true -- my girl! Trusova did not waste time on any aspect of skating that was not rotational jumps (although she was not deficient in other areas).Maybe this is why Trusova was so good.
While other skaters are wasting all this time and mental energy on a costume that supposedly doesn't provide any benefit other than it makes the skater feel good, Trusova was busy focussing her energy on jumping 5 quads in a program.


Uhhh, not that dismissively simple. Look at the practice videos with half a dozen of them, at a distance, all in variations of black and who the camera and audience are laser-focused on. Remember who was memorable enough in plain black UA to get 100000 people to stump up international livestream fees and jump through Japanese ticketbuying hoops just to watch him practice. Think back on the little Japanese star in plain blue shirt and white slacks. The best of the best don't need to be 'made' memorable, they already are. And the times costumes make the not so best memorable are oh so often for all the wrong reasons...I think they spend efforts because the costumes make them memorable.
They were both clearly and absolutely as concerned with their image as anyone else (the price of his VW duds alone proves it for him, and she always wore very carefully, elaborately crafted 'heroic feisty girlboss' outfits. And makeup.) That the image/impression they were each so eager to project was different and more straitened, carefully designed to project 'cool', doesn't mean there wasn't just as much effort and spin.When it's Chen or Trusova, they don't need it.
It was more a comment on the idea that the skaters "spend efforts because the costumes make them memorable." I mean, many of us skating fans (and the press for pretty pictures) find the costumes, good or bad, memorable but it's a bit sniffy to infer that anyone who likes to look gorgeous is doing it because they won't be remembered any other way... when often the costume is meant to enhance the impact of the program as a whole. And as I said before women wear makeup because it is de rigueur in public performance. You won't find competitive dancers without it either.As for 100,000 fans who line up to watch Yuzuru Hanyu in his practice clothes -- I don't think that we can generalize too much from that phenomenon. There is no accounting for that kind of... shall we say, enthusiasm.
Think back on the little Japanese star in plain blue shirt and white slacks.
another ugly take on the snake from the past