- Joined
- Nov 12, 2012
NNF : very nice post, and a beautiful description of Patrick's skating. As a musician I am drawn particularly to Patrick's skating because his body embraces and lives every note... he is so fluid in his movement, like sound. A rare artist.. a poet on the ice. Or like Marina says : Patrick is the artwork... a living artwork
hello and thanks as always for Your kind words
I think that with musicality so close translated and related to movement expression like Patrick has, it is both a blessing and a challenge. Blessing - because it's easier to present movement/music relation in skating and achieve that much-sought harmony, which then has influence on viewers' impression, Patrick is excellent on that: coordinating his whole body movement (not only legs and his marvellous edge work, but also hands, head...) under choreography and music, not making them look smaller/less relevant, but complimentary and organic together with his body work. But this wonderful kind of complex musicality/movement is also a challenge, especially for chorographers I think - to come up with piece, a series of movement highlighting Patrick's way of movement, musicality, skill, edge work quality and incorporate all this within choreography and actual program.
There's a depth in Patrick's skating too, aside of these all obvious qualities. It's that sense of nostalgia, melancholy, lyricism so rare to witness I deeply connect with. The way his movement translates every note of music, every feel of it is just beyond amazing. The one thing usually is to have a skill, technical prowess, another is being a showman, a great interpreter of music, having great flexibility or speed...And in Patrick's case a lot of these qualities are mingled and presented as a whole, exquisite package.