- Joined
- Sep 14, 2008
Performances like her SP are the reason to watch skating: people moving to the music and relaying the feeling it creates. And it could be even better if she didn't feel the need to include meaningless things like a half-illusion turn before her layback and so many random turns during the footwork sequence.Alyssa Liu's SP. The magic never fades: It transports me to another place. To have that in skating is a treasure. I wish we had more of it.
There's a very direct comparison I want to make that shows HOW she is interpreting the music - the usage of the arms and hands before and after 2Axel, how gently and fluidly and purposefully they are moving, each motion given a full breath to complete, her face engaged outward, and that moment of brief stillness she finds after the jump where her hand is wafting around her head and face, and then the body has a willowy moment of release before moving to the next glide. In another active thread I criticized how emptily Nathan Chen performs a similar piece of choreo, trying to move his hand around his and head and stroke it beside his face - this right here shows the difference. Alysa is visibly doing it with heart and intent and creating pleasing lines, while Nathan's movement fails to create any moment or transfer a feeling, because emotion isn't being put into it and he doesn't extend and finish each motion and transfer between the movements with rhythm.

