Out of I managed to re-watch at work:
- I really, really love Evgenia and Vladimir as a team, but this program just does them disservice again, I just can't help my visual discomfort watching their great lines, statuesque presence, skills, speed getting wasted and flattened by some 'cool music', looking like an accidental choice. This aesthetic full od dynamism, quirk, humour, energy requires specific personality skills, a performer's skill to make it move, impactful as competitive program - Evgenia at least tries from my impression to look engaged and to pay attention to performance as a whole instead to elements' execution, Vladimir looks sad, stiff and not happy, I'm sorry. They sure can execute that program flawlessly and get all the points available, but they probably cannot perform this program, to this song to its fullest capability: it needs more live, humour, joke into it, maybe both in similar tuxedo-styled costumes with some colour, more fun in transitioning movement (as much as it can be in pairs). Throwing a 'cool' song with lyrics does not automatically make them 'cooler', more hip and youthful. My take - I'd rather match their very promising lyrical FS with something more dynamic than that, but still 'classic' in appearance (maybe a Bond song, but an older one, 'Diamonds Are Forever'? To show off their lines, technique, striking appearance). It is what it is, I do hope they will make it work somehow, upping the fun in them foremost, having more flow in the performance.
- Boikova/Kozlovskii are looking proper senior already, I like this jazzy version of 'Dark eyes', their performance abilities that felt much more natural and engaging than in Evgenia/Vladimir's SP: it showed that they feel comfortable with the program, emoting outside of elements, making a visual. Strong and convincing elements, nice flow and speed, just more mileage, polish needed and confidence. A very promising start!
- Kirsten/Michael...To be honest I do not like this sappy SP that much, it is pleasant, but nothing extraordinary in that department. It's a very non-descript program that falls forgettable and a little flat in appearance for me - and I do not feel that squeaky clean would make it that much better. They just strike me as more dynamic team, I'd love to see them in 'Amelie' or 'The Grand Budapest Hotel' music...
- the program I liked the most was Ziegler/Kiefer's - spacious, airy, but strong and effective. I am really impressed by their progress as a team, their style, appearance, more detail put in their programs - I like in that SP that this contemporary aesthetic is used and the choreography nicely reflects the song, with minimal 'afterthought' effect between elements. It looks laboured at places, but the concept suits them very much and has potential.