I did really like how Hanyu had 3Axel+half loop+3Sal in POTO, it went well with the music and it's so difficult to do that late in a program, but otherwise blah. A similar jump layout can be fine, even necessary really, the bigger problem is that the spins were the same and the FOOTWORK was the same. For an easy comparison, look at the "choreographic footwork sequence" in each program - it's literally identical except for one different arm movement between the two at the end. Apparently doing a showy ina bauer, into turning threes, into twizzles in the sit position is the essence of both Romeo+Juliet and Phantom of the Opera. Yeah, right.