I'm re-posting this because I accidentally deleted it.
:
Today I stumbled upon
this CBC fluff piece that aired right before Patrick’s Worlds SP.
Vivley, it is definitely worth a transcript. :yes: A few fascinating things in it:
-Patrick says that he has to lose himself in his own personal world and “disconnect” from the audience and everything around him to get the job done. He loses himself in how he interprets the music and how the music makes him feel. If he’s going to skate well, anything beyond the boards doesn’t exist or matter during the program. It’s adorable how he says “maybe the audience doesn’t want to know that.”

I personally find that, when he skates his best, even though he thinks he is disconnected from us, I am still able to feel a lot of emotion from him; in other words, when he feels the most disconnected from us (he used that word, but I prefer focused inward), he actually connects with us (at least me) the most successfully.
-It’s so eye-opening to hear this from the master of the blade himself: “I feel my blades actually more [than hear them]. The sound is the aftermath of putting myself and feeling the blade in where exactly I need to be to get the optimum, whether it’s speed or edge quality. But for me, I can almost close my eyes and feel the blade, and the sound is the product of that.”
-Patrick skates his best when he listens to his breathing and actually feels the blood going through his vessels. He’s in a different world where he shuts out all the useless senses. He says it means you’re in flow and in another place.
I’m so grateful to be a fan of Patrick Chan and that he’s such an open skater!