- Joined
- Mar 23, 2014
I think Courtney Hicks also asked for suggestions, too. Maybe I'm jaded, but I didn't add a suggestion to either one of them.
What's the point when there's a 99% chance that they will just pick one of the tried-and-true classics anyway, as opposed to something more original, different, or new?
And I have the same question: who is picking the music for these skaters? I have a difficult time believe that teenagers would be choosing a lot of this music of their own accord.
It's hard to imagine teenagers picking a lot of classical stuff, but I would think (or hope) that even as teenagers, skaters are somewhat more culturally/artistically aware than the general public, just because of the influence of figure skating on their lives.
Anyway, I'm hesitant to assume that Gracie has no say over her music, but I'm also hesitant to assume that she does. It's just hard to believe that Lori Nichol--who really has choreographed gorgeous programs for many skaters with music that the skaters really connect to--hasn't had much success with Gracie yet. (Hard to believe, yet true.) I've read that some people think Lori is really phoning it in, but considering her long relationship with Frank Carroll, it's weird to think she'd be phoning it in for one of his top students.
I'm more optimistic about the SP based on what we know at this point. Gracie might be able to bring some sass to a tango. I'm have way more trepidation about the Firebird program.

hwell:
