2015-2016 Programs by Discipline | Page 71 | Golden Skate

2015-2016 Programs by Discipline

I am sorry, I love Mirai but the music is horrible! What the hell? I thought she would only use Back to Black and Young and beautiful and although I wasn't sure how these two pieces would work together, it would be still better than this mix. This won't do any justice to her.
 
The top dancers always seem to be last in releasing any info on their programmes:scowl:
I quite like the suspense though :laugh:


No word on WeaPo, C/B, P/C, G/P, etc...the Shibs and C/L are the only worlds top 5 couples who released their music. And I'm still waiting on H/B...what happened to "you'll find out really soon"?!? :unsure: :scowl: :scratch:
 
No word on WeaPo, C/B, P/C, G/P, etc...the Shibs and C/L are the only worlds top 5 couples who released their music. And I'm still waiting on H/B...what happened to "you'll find out really soon"?!? :unsure: :scowl: :scratch:

There is some info floating out there on Gilles/Poirier. They have debuted, and I believe a poster said one of their programs was composed for them. I read the title, but don't remember the name. Anyone?

In dance there seem to be three general schools of thought. A. Release your info really early so everyone else will know your music & hopefully keep their hands off. B. Leave no room for negative speculation and debut with an actual performance and as big a bang as you can get. C. Don't tell anyone your music! They might steal it. (Especially if you have somehow miraculously hit on an original SP selection. OTOH, if you're not sure how your SP selection might be received, it might not be bad to announce early in case people care to nudge you in a different direction).
 
There is some info floating out there on Gilles/Poirier. They have debuted, and I believe a poster said one of their programs was composed for them. I read the title, but don't remember the name. Anyone?

In dance there seem to be three general schools of thought. A. Release your info really early so everyone else will know your music & hopefully keep their hands off. B. Leave no room for negative speculation and debut with an actual performance and as big a bang as you can get. C. Don't tell anyone your music! They might steal it. (Especially if you have somehow miraculously hit on an original SP selection. OTOH, if you're not sure how your SP selection might be received, it might not be bad to announce early in case people care to nudge you in a different direction).

I just hope those teams keeping in secret their music dont result in a POTO, Carmen, R&J , that would look ridiculous.
 
More juniors competing in the JGP have updates on their ISU bios...I can't check everyone, but here are a few:

Alexander Samarin RUS

SP: C'est Toi - Dany Brilliant
FS: Pearl Harbour - Hans Zimmer

Vladislav Tarasenko RUS

SP: Swan Lake (modern arrangement)
FS: Fever & Rock'n'Roll by Elvis Presley

Denis Margalik ARG

SP: Introduction from "The Lady and the Hooligan" / Tango by Dmitri Shostakovich
FS: Theme from "Gladiator" (soundtrack) by Hans Zimmer performed by Maksim Mrvica

Graham Newberry GBR

SP: Unstoppable by E.S. Posthumous
FS: Last Samurai (soundtrack) by Hans Zimmer

Lots of Hans Zimmer for the boys.
 
I just hope those teams keeping in secret their music dont result in a POTO, Carmen, R&J , that would look ridiculous.

A matter of opinion. To me, would not be ridiculous at all. I never get tired of Carmen. And fine with me if other popular music continues to be used a lot.
 
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Roman Sadovsky
SP - The Prophet by Gary Moore
FS - Romeo and Juliet (Plunket and Maclean soundtrack) by Craig Armstrong
Choreography: Gregor Filipowski, Mark Pillay

Rin Nitaya

SP - Red Violin (choreography: Akiko Suzuki)
FS - Romeo i Julia (choreography: Miho Kawaume)

Nicole Schott

SP - Send in the Clowns by Ruthie Henshall (I LOVE HER)
FS - A Time For Us (from "Romeo and Juliet" soundtrack) by Nino Rota
Choreography: Michael Huth, Rostislav Sinicyn

Polina Tsurskaya
SP - Adagio by Tomaso Albinoni, performed by Ikuko Kawai
FS - Chess (musical soundtrack) by Benny Anderson, Bjorn Ulvaeus
Choreography: Daniil Gleikhengauz, Liudmila Gleikhengauz

Vivian Le
SP - Le Vent, le Cri (The Professional soundtrack) by Ennio Morricone
FS - Nuages en montagne by Pierre Porte
Choreography: Olga Ganicheva

Alla Loboda and Pavel Drozd
SD - Waltz Nr. 10 in H minor, op. 69.2 by Frederic Chopin
March: Russian Battle March
FD - Lo ti penso amore performed by David Garrett and Nicole Scherzinger
Paganini 5 by Edvin Marton
Choreography: Mikhail Kolegov

Rachel and Michael Parsons
SD - Waltz: Cinderella's Departure for the Ball by Sergei Prokofiev
FD - La Malamada by Medialuna Tango Project
Palabras y Viento by Medialuna Tango Project
Choreography: Elena Novak
 
Renata Oganesian and Mark Bardei
SP - The Race II by Yello
FS - Interview with the Vampire (soundtrack) by Elliot Goldenthal
Choreography: Julia Gorbacheva
 
A matter of opinion. To me, would not be ridiculous at all. I never get tired of Carmen. And fine with me if other popular music continues to be used a lot.

Remember when A/P and K/O were both going to use Carmina Burana the same year but then K/O had to retire so we never got to see the battle of C/B :disapp:
I want some drama so a Tosca C/Burana will do nicely.B/S Karenina should be interesting .Not Carmen though too many lately with V/M and C/L.
 
From the legal point of view - Marcotte and Radford :laugh:

LOL, you apparently missed the posts in the Duhamel/Marcotte wedding thread and elsewhere -- from GS members who had informed us that the law in Quebec does not allow women to change their names for the reason of marriage. So her legal name still is Duhamel.

Not to mention that even if she did have the option of changing her legal name to her husband's, we don't know whether she would choose that option (see the very thorough ;) discussion in the Tanith/Charlie thread).
 
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